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“Miranda opened her eyes in time to see the sunrise. A wash of violent color, pink and streaks of brilliant orange, the container ships on the horizon suspended between the blaze of the sky and the water aflame, the seascape bleeding into confused visions of Station Eleven, its extravagant sunsets the its indigo sea. The lights of the fleet fading into morning, the ocean burning into sky.”
Emily St. John Mandel“If nothing else, it's pleasant to consider the possibility. He likes the thought of ships moving over the water, toward another world just out of sight.”
Emily St. John Mandel, Station Eleven“The more we know about the former world, the better we’ll understand what happened when it fell.”
Emily St. John Mandel, Station Eleven“She works on her never-ending project for hours at a time. In art school they talked about day jobs in tones of horror. She never would have imagined that her day job would be the calmest and least cluttered part of her life.”
Emily St. John Mandel, Station Eleven“If you write literary fiction that’s set partly in the future, you’re apparently a sci-fi writer ... I think of it as being more of a story about what remains after we lose everything and the importance of art in our lives.”
Emily St. John Mandel, Station Eleven“The king stood in a pool of blue light, unmoored.”
Emily St. John Mandel, Station Eleven“Are you asking if I believe in ghosts?""I don't know. Maybe. Yes.""Of course not. Imagine how many there'd be.""Yes," Kirsten said, "that's exactly it.”
Emily St. John Mandel, Station Eleven“It's like the corporate world's full of ghosts … maybe a fairer way of putting this would be to say that adulthood's full of ghosts … these people who've ended up in one life instead of another and they are just so disappointed ... They've done what's expected of them. They want to do something different but it's impossible now, there's a mortgage, kids, whatever, they're trapped … High-functioning sleepwalkers, essentially.”
Emily St. John Mandel, Station Eleven“He found he was a man who repented almost everything, regrets crowding in around him like moths to a light. This was actually the main difference between twenty-one and fifty-one, he decided, the sheer volume of regret.”
Emily St. John Mandel, Station Eleven“The beauty of this world where almost everyone was gone. If hell is other people, what is a world with almost no people in it?”
Emily St. John Mandel, Station Eleven