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“Farber says (in my recollection, anyway) the European (or classical) art, including film, is culturally assumed to be a monumental slab. It's about that slab, and how it's been shaped, or what's been carved on it. In "termite art" though, your slab has been wormholed countless times, and its meaning is really taking place in the resulting interstices. The actual art of the piece, in other words, and your enjoyment of it, is taking place in the cracks, and the shape of the slab is coincidental and ultimately meaningless.”
William Gibson“I always enjoyed school, and I enjoyed being focused on learning - and I know that sounds nerdy, but there were so many wonderful elements of going to school with just girls. I wouldn't brush my hair.”
Stacey Farber“I remember there were days when - and this is kind of gross - I would sleep in my uniform to save time in the morning and then get up and go to school... it didn't matter because I didn't have to impress anyone, and I didn't have to look cute in class.”
Stacey Farber“Anxiety is that range of distress which attends willing what cannot be willed.”
Leslie H. Farber“...so much has been laid on the sunset—heavy-handed metaphors, sentimental music. Everyone’s always walking into them, and that is some very intense light. Maybe that’s where the term “love is blind” comes from, because so many people are walking into sunsets, burning out their corneas.”
Kirk Farber, Postcards from a Dead Girl“Jobs obsessed over every aspect of the new building, from the overall concept to the tiniest detail regarding materials and construction. "Steve had this firm belief that the right kind of building can do great things for a culture," said Pixar's president Ed Catmull. Jobs controlled the creation of the building as if he were a director sweating each scene of a film. "The PIxar building was Steve's own movie," Lasseter said.”
Walter Isaacson, Steve Jobs“Nevertheless, by dint of his personality and controlling instincts, Jobs was soon playing a stronger role. He spewed out a stream of ideas - some reasonable, others wacky - about what Pixar's hardware and software could become. And on his occasional visits to the PIxar offices, he was an inspiring presence. "I grew up a Southern Baptist, and we had revival meetings with mesmerizing but corrupt preachers," recounted Alvy Ray Smith. "Steve's got it: the power of the tongue and the web of words that catches people up. We were aware of this when we had board meetings, so we developed signals - nose scratching or ear tugs - for when someone had been caught up in Steve's distortion field and he needed to be tugged back to reality.”
Walter Isaacson, Steve Jobs“I have zero respect for knowledge, that’s what computers are for. Imagination is the kicker because imagination can extrapolate, create and solve, Knowledge is just facts and shit. Mostly irrelevant.”Kego O'Grady in The Navigator By Steve Merrick”
Steve Merrick“Early on, Mike Markkula had taught Jobs to "impute" - to understand that people do judge a book by its cover - and therefore to make sure all the trappings and packaging of Apple signaled that there was a beautiful gem inside. Whether it's an iPod Mini, or a MacBook Pro, Apple customers know the feeling of opening up the well-crafted box and finding the product nestled in an inviting fashion. "Steve and I spend a lot of time on the packaging," said Ive. "I love the process of unpacking something. You design a ritual of unpacking to make the product feel special. Packaging can be theater, it can create a story.”
Walter Isaacson, Steve Jobs