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“Braith turned and saw three of her cousins sunning themselves on boulders. Like lizards. Lizards in human form.“What are you doing?” Braith asked.“Enjoying the suns,” replied one.“It gives our scales a lovely bright hue,” said another.Braith blinked. “Except you’re all in your human form. So how does that help your scales?”They stared at her for several seconds before one stated, “You’re a bit of a know-it-all, aren’t you?”“How is that . . .” Braith shook her head. She wouldn’t go from arguing with one idiot to arguing with three.”
G.A. Aiken“Life was rich with possibility, or life was possibly rich...She felt incandescent with the news.Cold sun. Jack in the pulpits nosing out of the still-frozen mud. Lotto lay watching the world incrementally wake up. They had been married for seventeen years, she lived in the deepest room in his heart, and sometimes that meant that wife occurred to him before Mathilde, helpmeet before herself, abstraction of her before the physical being. But not now. When she came across the veranda, he saw Mathilde all of the sudden, the dark whip at the center of her, how, so gently, she flicked it and kept him spinning. She put her cold hand on his stomach, which he was sunning to banish the winter's white. 'Vain,' she said. 'An actor in a playwright's hide,' he said. 'I'll never not be vain.''Oh well, it's you,' she said. 'You're desperate for the love of strangers, to be seen.''You see me,' he said. And he heard the echo with his thoughts a minute before and was pleased.'I do,' she said. 'Now please, talk.'She stretched her arms over heads...she looked at him, savoring her own knowing, his unknowing...”
Lauren Groff, Fates and Furies“It never was about the musician or the instrument - it was about the laser notes in a hall of mirrors, the music itself. It was going to change the world for the better and it has. Maybe not as fast or as much as we wanted, but it has and it still will. Whether your name is Mozart, or Django Reinhardt, or Robert Johnson, or Jimi Hendrix, or whoever is next; who you are doesn't matter so long as you can open that conduit and let the music come through. It is the burning edge, whatever it sounds like and whoever is playing it. It is the noisy, messy, silly, invincible voice of life that comes through the LP on the turn-table, the transistor radio, or the Bose in your new Lexus that makes you want to get up out of whatever you are stuck in and dance. It is Dionysus and the Maenads all over again. No one can control it and I pity whoever tries. I am old now and only a house cat sunning herself in the window - but I was a tigress once, and I remember. I still remember.”
G.J. Paterson, Bird of Paradise