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“Sylvia would have taken it seriously- so strong was her devotion to the innate intelligence of form. Those pretty tools like glue and pens, pasting together look-books – for Sylvia it would have been like toy making or arranging jewels. Unfortunately, Sylvia’s flair for design and graphics went unnoticed by the Mademoiselle staff, who had already pigeonholed her as a “writer”.”
Elizabeth Winder“All the morning since he got up he had been trying to fight through his duties—leaning against a hope—a hope that first had bowed, and then had broke as soon as he really tried its weight. There was not a sign of Sylvia’s liking for him to be gathered from the most careful recollection of the past evening. It was of no use thinking there was. It was better to give it up altogether and at once. But what if he could not? What if the thought of her was bound up with his life; and that once torn out by his own free will, the very roots of his heart must come also?”
Elizabeth Gaskell, Sylvia's Lovers“New clothes left Sylvia reeling with happiness. For Sylvia, a shopping list was a poem. She always shopped alone - it suited her deliberate nature and the artistic joy with which she approached all things aesthetic.”
Elizabeth Winder, Pain, Parties, Work: Sylvia Plath in New York, Summer 1953“It is perhaps fortunate that Sylvia was oblivious to the commotion behind the scenes. Apparently, Henry O. Teltscher had written a letter to Betsy Talbot Blackwell, warning her that one of her guest editors was on the brink of a nervous breakdown.”
Elizabeth Winder, Pain, Parties, Work: Sylvia Plath in New York, Summer 1953“All year long Sylvia had been trying to overthrow her guileless, college girl image. She knew "cottons with big full skirts and university personalities" would have looked hopelessly naive in New York. Sylvia wanted to be hard and urban.”
Elizabeth Winder, Pain, Parties, Work: Sylvia Plath in New York, Summer 1953“However vivid they might be, past images and future delights did not protect Sylvia from the present, which "rules despotic over pale shadows of past and future". That was Sylvia's genius and her Panic Bird- her total lack of nostalgia. She had no armor. This left her especially vulnerable in New York, where she was removed from the context of her life, severed from that reassuring arc.”
Elizabeth Winder, Pain, Parties, Work: Sylvia Plath in New York, Summer 1953“Unconditional love is the greatest gift of all" ~ The Soul Bearers, by Sylvia Massara”
Sylvia Massara“Perhaps some day I'll crawl back home, beaten, defeated. But not as long as I can make stories out of my heartbreak, beauty out of sorrow.”
Sylvia Plath, The Unabridged Journals of Sylvia Plath“I need more than anything right now what is, of course, most impossible, someone to love me, to be with me at night when I wake up in shuddering horror and fear of the cement tunnels leading down to the shock room, to comfort me with an assurance that no psychiatrist can quite manage to convey.”
Sylvia Plath, The Journals of Sylvia Plath“if a man chooses to be promiscuous, he may still turn up his nose at promiscuity. He may still demand a woman be faithful to him, to save him from his own lust. But women have lust, too. Why should they be relegated to the position of custodian of emotions, watcher of the infants, feeder of soul,body and pride of man?”
Sylvia Plath, The Unabridged Journals of Sylvia Plath