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“The most evocative life memories, which produced a synesthesia of emotions, consist of a host of small pleasures intertwined with the homespun stitches of love, affection, kindness, humility, and appreciation of nature.”
Kilroy J. Oldster“A writer flirts with schizophrenia, nurtures synesthesia, and embraces obsessive-compulsive disorder. Your art feeds on you, your soul, and, yes, to a degree, your sanity. Writing novels worth reading will bugger up your mind, jeopardize your relationships, and distend your life. You have been warned.”
David Mitchell, The Bone Clocks“All writers are demonic dreamers. Writing is an act of sharing experiences and offering of an individualistic perspective of our private attitudes pertaining to whatever topics of thought intrigues the author. Writing is a twitchy art, which attempts to employ linguist building blocks handed-down from past generations. Writers’ word choices form a structure of conjoined sentences when overlaid with the lingua of modern culture. Writers attempt to emulate in concrete form the synesthesia of our personal pottage steeped in our most vivid feelings. Writing a personal essay calls for us to sort out a jungle of lucid observations and express in a tangible technique our unique interpretation of coherent observations interlaced with that effusive cascade of yearning, the universal spice of unfilled desire, which turmoil of existential angst swamps us.”
Kilroy J. Oldster, Dead Toad Scrolls“I see the last two millennia as laid out in columns, like a reverse ledger sheet. It's as if I'm standing at the top of the twenty-first century looking downwards to 2000. Future centuries float as a gauzy sheet stretching over to the left. I also see people, architecture and events laid out chronologically in the columns. When I think of the year 1805, I see Trafalgar, women in the clothes of that era, famous people who lived then, the building, etc. The sixth to tenth centuries are very green, the Middle Ages are dark with vibrant splashes of red and blue and the sixteenth and seventeenth centuries are brown with rich, lush colours in the furniture and clothing.”
Claudia Hammond, Time Warped: Unlocking the Mysteries of Time Perception“The spring came suddenly; the rains stopped, the days grew noticeably longer, and the afternoon light felt powdery, as if it might blow away.”
Jane Mendelsohn, I Was Amelia Earhart“Mori made an unwilling sound. 'I don't like Western art.''No look at this.' He lifted it from its package. It wasn't heavy. 'It's clever, it looks like busy Mozart.''What?''I . . .' Thaniel sighed. 'I see sound. Mozart looks like this. You know. Fast strings.''See? In front of you?''Yes. I'm not mad.''I didn't think so. All sounds?''Yes.”
Natasha Pulley, The Watchmaker of Filigree Street