Tall poppy syndrome Quotes

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Poppy took a deep, appreciative breath. “How bracing,” she said. “I wonder what makes the country air smell so different?” “It could be the pig farm we just passed,” Leo muttered. Beatrix, who had been reading from a pamphlet describing the south of England, said cheerfully, “Hampshire is known for its exceptional pigs. They’re fed on acorns and beechnut mast from the forest, and it makes the bacon quite lovely. And there’s an annual sausage competition!” He gave her a sour look. “Splendid. I certainly hope we haven’t missed it.” Win, who had been reading from a thick tome about Hampshire and its environs, volunteered, “The history of Ramsay House is impressive.” “Our house is in a history book?” Beatrix asked in delight. “It’s only a small paragraph,” Win said from behind the book, “but yes, Ramsay House is mentioned. Of course, it’s nothing compared to our neighbor, the Earl of Westcliff, whose estate features one of the finest country homes in England. It dwarfs ours by comparison. And the earl’s family has been in residence for nearly five hundred years.” “He must be awfully old, then,” Poppy commented, straight-faced. Beatrix snickered. “Go on, Win.” “‘Ramsay House,’” Win read aloud, “‘stands in a small park populated with stately oaks and beeches, coverts of bracken, and surrounds of deer-cropped turf. Originally an Elizabethan manor house completed in 1594, the building boasts of many long galleries representative of the period. Alterations and additions to the house have resulted in the grafting of a Jacobean ballroom and a Georgian wing.’” “We have a ballroom!” Poppy exclaimed. “We have deer!” Beatrix said gleefully. Leo settled deeper into his corner. “God, I hope we have a privy.

Lisa Kleypas
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Poppy took a deep, appreciative breath. “How bracing,” she said. “I wonder what makes the country air smell so different?” “It could be the pig farm we just passed,” Leo muttered. Beatrix, who had been reading from a pamphlet describing the south of England, said cheerfully, “Hampshire is known for its exceptional pigs. They’re fed on acorns and beechnut mast from the forest, and it makes the bacon quite lovely. And there’s an annual sausage competition!” He gave her a sour look. “Splendid. I certainly hope we haven’t missed it.” Win, who had been reading from a thick tome about Hampshire and its environs, volunteered, “The history of Ramsay House is impressive.” “Our house is in a history book?” Beatrix asked in delight. “It’s only a small paragraph,” Win said from behind the book, “but yes, Ramsay House is mentioned. Of course, it’s nothing compared to our neighbor, the Earl of Westcliff, whose estate features one of the finest country homes in England. It dwarfs ours by comparison. And the earl’s family has been in residence for nearly five hundred years.” “He must be awfully old, then,” Poppy commented, straight-faced. Beatrix snickered. “Go on, Win.” “‘Ramsay House,’” Win read aloud, “‘stands in a small park populated with stately oaks and beeches, coverts of bracken, and surrounds of deer-cropped turf. Originally an Elizabethan manor house completed in 1594, the building boasts of many long galleries representative of the period. Alterations and additions to the house have resulted in the grafting of a Jacobean ballroom and a Georgian wing.’” “We have a ballroom!” Poppy exclaimed. “We have deer!” Beatrix said gleefully. Leo settled deeper into his corner. “God, I hope we have a privy.

Lisa Kleypas, Mine Till Midnight
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In November, when our nation remembers her fallen soldiers and honours the lost youth of my generation, the Prime Minister, government leaders and the hollow men of business affix paper poppies to their lapels and afford the dead of war two minutes' silence. Afterwards, they speak golden platitudes about the struggle and the heroism of that time. Yet the words they speak are meaningless because they have surrendered the values my generation built after the horrors of the Second World War.

Harry Leslie Smith, Harry's Last Stand: How the World My Generation Built is Falling Down, and What We Can Do to Save It
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In the days before computers and emails,” she explained, “people used to write messages on paper and send them to each other using a fax machine. It’s sort of like sending a photograph through a telephone line. Hardly anyone uses a fax these days. They’re very old fashioned,” she continued, “but they used to be very popular once upon a time. Lots of little children used to send their letters to Santa that way.” "Wow!” said Poppy Noodle. “That sounds like Magic.” “No,” answered Flora sharply. “That’s not Magic, that’s technology. Never confuse the two.

Harald Davidson, Francesca Spaghetti and Poppy Noodle's Christmas Mystery: Funny Adventure Series for 7-11 Year Old Girls
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And the heart sounds like a sour conch,calls, oh sea, oh lament, oh molten panic,scattered in the unlucky and disheveled waves:the sea reports sonorouslyon its languid shadows, its green poppies.

Pablo Neruda, The Essential Neruda: Selected Poems
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She [Pansy] pushed in next to Poppy so that she could see him around the guard's elbow. She was as tall as Poppy, with shining dark-brown hair and blue eyes. An utterly lovely girl, as all the princesses were, yet Oliver thought Petunia was far more beautiful.

Jessica Day George, Princess of the Silver Woods
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Poppies in JulyLittle poppies, little hell flames,Do you do no harm?You flicker. I cannot touch you.I put my hands among the flames. Nothing burns.And it exhausts me to watch youFlickering like that, wrinkly and clear red, like the skin of a mouth.A mouth just bloodied.Little bloody skirts!There are fumes that I cannot touch.Where are your opiates, your nauseous capsules?If I could bleed, or sleep!If my mouth could marry a hurt like that!Or your liquors seep to me, in this glass capsule,Dulling and stilling.But colorless. Colorless.

Sylvia Plath
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In Flanders fields the poppies blowBetween the crosses, row on rowThat mark our place; and in the skyThe larks, still bravely singing, fly Scarce heard amid the guns belowWe are the DeadShort days agoWe lived, felt dawn, saw sunset glow/Loved, and were loved, and now we lieIn Flanders FieldsTake up our quarrel with the foeTo you from failing hands we throw The torchbe yours to hold it highIf ye break faith with us who dieWe shall not sleep/though poppies growIn Flanders Fields

John McCrae, In Flanders Fields: Poem
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People wonder why so many writers come to live in Paris. I’ve been living ten years in Paris and the answer seems simple to me: because it’s the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.

Roman Payne, Crepuscule
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I’m tired of sitting. I’m tired of watching everyone else work. I can set my own limits, Amelia. Let me do as I wish.” “No.” Incredulously Amelia watched as Win picked up a broom from the corner. “Win, put that down and stop being silly!” Annoyance whipped through her. “You’re not going to help anyone by expending all your reserves on menial tasks.” “I can do it.” Win gripped the broom handle with both hands as if she sensed Amelia was on the verge of wrenching it away from her. “I won’t overtax myself.” “Put down the broom.” “Leave me alone,” Win cried. “Go dust something!” “Win, if you don’t—” Amelia’s attention was diverted as she saw her sister’s gaze fly to the kitchen threshold. Merripen stood there, his broad shoulders filling the doorway. Although it was early morning, he was already dusty and perspiring, his shirt clinging to the powerful contours of his chest and waist. He wore an expression they knew well—the implacable one that meant you could move a mountain with a teaspoon sooner than change his mind about something. Approaching Win, he extended a broad hand in a wordless demand. They were both motionless. But even in their stubborn opposition, Amelia saw a singular connection, as if they were locked in an eternal stalemate from which neither wanted to break free. Win gave in with a helpless scowl. “I have nothing to do.” It was rare for her to sound so peevish. “I’m sick of sitting and reading and staring out the window. I want to be useful. I want…” Her voice trailed away as she saw Merripen’s stern face. “Fine, then. Take it!” She tossed the broom at him, and he caught it reflexively. “I’ll just find a corner somewhere and quietly go mad. I’ll—” “Come with me,” Merripen interrupted calmly. Setting the broom aside, he left the room. Win exchanged a perplexed glance with Amelia, her vehemence fading. “What is he doing?” “I have no idea.” The sisters followed him down a hallway to the dining room, which was spattered with rectangles of light from the tall multipaned windows that lined one wall. A scarred table ran down the center of the room, every available inch covered with dusty piles of china … towers of cups and saucers, plates of assorted sizes sandwiched together, bowls wrapped in tattered scraps of gray linen. There were at least three different patterns all jumbled together. “It needs to be sorted,” Merripen said, gently nudging Win toward the table. “Many pieces are chipped. They must be separated from the rest.” It was the perfect task for Win, enough to keep her busy but not so strenuous that it would exhaust her. Filled with gratitude, Amelia watched as her sister picked up a teacup and held it upside down. The husk of a tiny dead spider dropped to the floor. “What a mess,” Win said, beaming. “I’ll have to wash it, too, I suppose.” “If you’d like Poppy to help—” Amelia began. “Don’t you dare send for Poppy,” Win said. “This is my project, and I won’t share it.” Sitting at a chair that had been placed beside the table, she began to unwrap pieces of china.

Lisa Kleypas, Mine Till Midnight
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Life has always poppies in her hands.

Oscar Wilde, The Picture of Dorian Gray
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