Tatiana Quotes

“Tatiana hugged him and said, “And here’s mine: ‘Honey, what do you prefer—my beautiful body or my beautiful face?’” “Your sense of humor,” returned Alexander, holding her to him until she couldn’t breathe.”

“Tatiana hugged him and said, “And here’s mine: ‘Honey, what do you prefer—my beautiful body or my beautiful face?’” “Your sense of humor,” returned Alexander, holding her to him until she couldn’t breathe.”

“Tatiana said. "Go on with Dasha. She is right for you. She is a woman and I'm-" "Blind!", Alexander exclaimed. Tatiana stood, desolately failing in the battle of her heart. "Oh, Alexander. What do you want from me..." "Everything", he whispered fiercely.”

“What was she thinking?” muttered Alexander, closing his eyes and imagining his Tania.“She was determined. It was like some kind of a personal crusade with her,” Ina said. “She gave the doctor a liter of blood for you—”“Where did she get it from?”“Herself, of course.” Ina smiled. “Lucky for you, Major, our Nurse Metanova is a universal donor.”Of course she is, thought Alexander, keeping his eyes tightly shut.Ina continued. “The doctor told her she couldn’t give any more, and she said a liter wasn’t enough, and he said, ‘Yes, but you don’t have more to give,’ and she said, ‘I’ll make more,’ and he said, ‘No,’ and she said, ‘Yes,’ and in four hours, she gave him another half-liter of blood.”Alexander lay on his stomach and listened intently while Ina wrapped fresh gauze on his wound.He was barely breathing.“The doctor told her, ‘Tania, you’re wasting your time. Look at his burn. It’s going to get infected.’ There wasn’t enough penicillin to give to you, especially since your blood count was solow.” Alexander heard Ina chuckle in disbelief. “So I’m making my rounds late that night, and who do I find next to your bed? Tatiana. She’s sitting with a syringe in her arm, hooked up to acatheter, and I watch her, and I swear to God, you won’t believe it when I tell you, Major, but I see that the catheter is attached to the entry drip in your IV.” Ina’s eyes bulged. “I watch herdraining blood from the radial artery in her arm into your IV. I ran in and said, ‘Are you crazy? Are you out of your mind? You’re siphoning blood from yourself into him?’ She said to me inher calm, I-won’t-stand-for-any-argument voice, ‘Ina, if I don’t, he will die.’ I yelled at her. I said, ‘There are thirty soldiers in the critical wing who need sutures and bandages and their wounds cleaned. Why don’t you take care of them and let God take care of the dead?’ And she said, ‘He’s not dead. He is still alive, and while he is alive, he is mine.’ Can you believe it, Major? But that’s what she said. ‘Oh, for God’s sake,’ I said to her. ‘Fine, die yourself. I don’t care.’ But the next morning I went to complain to Dr. Sayers that she wasn’t following procedure,told him what she had done, and he ran to yell at her.” Ina lowered her voice to a sibilant, incredulous whisper. “We found her unconscious on the floor by your bed. She was in a dead faint, but you had taken a turn for the better. All your vital signs were up. And Tatiana got up from the floor, white as death itself, and said to the doctor coldly, ‘Maybe now you can give him the penicillin he needs?’ I could see the doctor was stunned. But he did. Gave you penicillin and more plasma and extra morphine. Then he operated on you, to get bits of the shell fragment outof you, and saved your kidney. And stitched you. And all that time she never left his side, or yours. He told her your bandages needed to be changed every three hours to help with drainage,to prevent infection. We had only two nurses in the terminal wing, me and her. I had to take care of all the other patients, while all she did was take care of you. For fifteen days and nights she unwrapped you and cleaned you and changed your dressings. Every three hours. She was a ghost by the end. But you made it. That’s when we moved you to critical care. I said to her, ‘Tania, this man ought to marry you for what you did for him,’ and she said, ‘You think so?’ ” Ina tutted again. Paused. “Are you all right, Major? Why are you crying?”

“I'm at the transition place myself, still playing high school girls but moving to a stage when I'm playing older roles and going to the places of stillness and wisdom and knowledge and weight. It's exciting and scary.”

“I'm attracted to stories that excite my imagination, stories that, as I'm reading the script, I feel it, I can see it, I can hear the characters. I'm attracted to characters that are real, that tap into something inside me that I haven't explored yet.”

“'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.”

“Trust your gut. You know yourself, so don't let somebody else tell you who you are.”

“I am drawn to those parts; I like the tough girls because they are not tough. It's a veil; it's a disguise. It's defenses. At the core, everybody is human, everybody is fragile, everybody is terrified, and the fear is what propels you to be tough.”

“I think there's something really freeing about improv, that it's a collective, creative, in-the-moment piece. That's really exciting and really frustrating, because it's there and gone. There's an amazing interaction with the audience that happens because they are very much another scene partner.”

“I loved filming in Morocco it was amazing. I'd never been anywhere like that. The culture was phenomenal. I was so blown away by the spirit of that country.”