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“The Thames was beautiful, dark, and swift beneath the billion yellow and white lights of the city…”
Charles Finch“The Thames Shouldered its way past Blackfriars Bridge, impatient with the ancient piers, no longer the passive stream that slid past Chelsea Marina, but a rush of ugly water that had scented the open sea and was ready to make a run for it.”
J.G. Ballard, Millennium People“Fifteen feet away, the wide River Thames rolled past, dark and deep and mysterious is the sullen-not-quite sunrise.”
Amy Butler Greenfield, Chantress Alchemy“Respect Death and You Live In Life”
Christopher Thames“He smiles, and he's made of trouble. We should have dropped him in the Thames in a bag of stones. We should have left him out for the fairies.”
Rainbow Rowell, Carry On“Someday when peace has returned to this odd world I want to come to London again and stand on a certain balcony on a moonlit night and look down upon the peaceful silver curve of the Thames with its dark bridges.”
Ernie Pyle“The Thames could be thought of as England's longest archaeological site, and no fewer than 90,000 objects recovered from its foreshore are in the collection of the Museum of London, whose 30-year relationship with London mudlarks is both committed and highly regulated.”
Jean Hanff Korelitz“Whenever I think of my birthplace, Walton-on-Thames, my reference first and foremost is the river. I love the smell of the river; love its history, its gentleness. I was aware of its presence from my earliest years. Its majesty centered me, calmed me, was a solace to a certain extent.”
Julie Andrews“My depth of purse is not so greatNor yet my bibliophilic greed,That merely buying doth elate:The books I buy I like to read:Still e'en when dawdling in a mead,Beneath a cloudless summer sky,By bank of Thames, or Tyne, or Tweed,The books I read — I like to buy.”
A. Edward Newton, The Amenities of Book Collecting and Kindred Affections“The great city seemed to weigh upon me, as though it were crushing me under its heap of brick and stone. Gray, drizzly skies, congested streets, the soot-belching boats and barges chugging up and down the Thames, the teeming mass of four millions hastening about the countless activities of daily life in a metropolis, things adventurous, meaningful, spiritual, quotidian, futile, criminal, meaningless and absurd. Amidst this seething stew of humanity, I painted.”
Gary Inbinder, The Flower to the Painter