Thanatos Quotes

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What are the sources of poetry? Love and death and the paradox of love and death. All poetry from the beginning is about Eros and Thanatos. Those are the only subjects. And how Eros and Thanatos interweave.

Erica Jong
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What are the sources of poetry? Love and death and the paradox of love and death. All poetry from the beginning is about Eros and Thanatos. Those are the only subjects. And how Eros and Thanatos interweave.

Erica Jong
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Nothing shall part us in our love till Thanatos (Death) at his appointed hour removed us from the light of day.

Apollonius of Rhodes
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Half the lies I tell are not true. To tell you the truth, half the true tales I tell are lies.

Jack Thanatos, The Gods of Chaos: Netherworld
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If the Gods give up on you, will you continue?

Jack Thanatos, The Gods of Chaos: Dreaming
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It is possible, however, that the artist is both thin-skinned and prophetic and, like the canary lowered into the mine shaft to test the air, has caught a whiff of something lethal.

Walker Percy, Lost in the Cosmos: The Last Self-Help Book
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I don’t naturally look like this. I have to feed in order to have the power to hold it.”“Feed on what exactly?” Please don’t say blood, please don’t say blood, she whispered in her mind.“Death,” Trajan answered. Anya didn’t know if that was better or worse.

Amy Kuivalainen, Cry of the Firebird
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The revolution is for the sake of life, not death.

Herbert Marcuse, The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics
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What drove such people to their sinister occupations? Spite? Certainly, but also the desire for order. Because the desire for order tries to transform the human world into an inorganic reign in which everything goes well, everything functions as a subject of an impersonal will. The desire for order is at the same time a desire for death, because life is a perpetual violation of order. Or, inversely, the desire for order is a virtuous pretext by which man's hatred for man justifies its crimes.

Milan Kundera, Farewell Waltz
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He loved the sea for deep-seated reasons: the hardworking artist's need for repose, the desire to take shelter from the demanding diversity of phenomena in the bosom of boundless simplicity, a propensity—proscribed and diametrically opposed to his mission in life and for that very reason seductive—a propensity for the unarticulated, the immoderate, the eternal, for nothingness. To repose in perfection is the desire of all those who strive for excellence, and is not nothingness a form of perfection?

Thomas Mann, Death in Venice
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