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“In learning a language, when from mere words we reach the laws of words, we have gained a great deal. But if we stop at that point and concern ourselves only with the marvels of the formation of a language, seeking the hidden reason of all its apparent caprices, we do not reach that end, for grammar is not literature… When we come to literature, we find that, though it conforms to the rules of grammar, it is yet a thing of joy; it is freedom itself. The beauty of a poem is bound by strict laws, yet it transcends them. The laws are its wings. They do not keep it weighed down. They carry it to freedom. Its form is in law, but its spirit is in beauty. Law is the first step toward freedom, and beauty is the complete liberation which stands on the pedestal of law. Beauty harmonizes in itself the limit and the beyond – the law and the liberty.”
Rabindranath Tagore“I would venture to say that approaching the Christian Story from this direction, it has long been my feeling (a joyous feeling) that God redeemed the corrupt makingcreatures, men, in a way fitting to this aspect, as to others, of their strange nature. The Gospels contain a fairy-story, or a story of a larger kind which embraces all the essence of fairy-stories. They contain many marvels—peculiarly artistic, beautiful, and moving: ‘mythical’ in their perfect, self-contained significance; and among the marvels is the greatest and most complete conceivable eucatastrophe. But this story has entered History and the primary world; the desire and aspiration of sub-creation has been raised to the fulfillment of Creation. The Birth of Christ is the eucatastrophe of Man’s history. The Resurrection is the eucatastrophe of the story of the Incarnation. This story begins and ends in joy. It has pre-eminently the ‘inner consistency of reality’. There is no tale ever told that men would rather find was true, and none which so many sceptical men have accepted as true on its own merits. For the Art of it has the supremely convincing tone of Primary Art, that is, of Creation. To reject it leads either to sadness or to wrath.”
J.R.R. Tolkien, Tolkien on Fairy-stories“The mystery religions were instituted in order to protect the marvels of the commonplace from those who would devalue them.”
Peter Redgrove, The Black Goddess and the Unseen Real: Our Uncommon Senses and Their Common Sense“The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon.”
Paulo Coelho, The Alchemist“Standing on the roof at night, beside the golden shipI look across the city and I dream a wild trip.The waves are high, the wind is strong, the moon is white and full.I smell the salt upon the sea, a strong magnetic pull.I shout into the endless dark, awaiting the reply:'Away! Away' It says: 'Away! Now spread your wings and fly.”
Brian Selznick, The Marvels“Modern parents want to nurture so skillfully that Mother Nature will gasp in admiration at the marvels their parenting produces from the soft clay of children.”
George Will“No one lights a lamp in order to hide it behind the door: the purpose of light is to create more light, to open people's eyes, to reveal the marvels around.”
Paulo Coelho“Seek and see all the marvels around you. You will get tired of looking at yourself alone, and that fatigue will make you deaf and blind to everything else. - Don Juan”
Carlos Castañeda, The Teachings of Don Juan: A Yaqui Way of Knowledge“Yes, she loved her ship more than she had loved him. But what she loved even more was what it gave her: freedom, and the key to the marvels of space. It gave her the stars, and she doubted she could ever love anything or anyone more than she loved the stars.”
G.S. Jennsen, Starshine: Aurora Rising Book One“Still, for long the love of science triumphed over all other feelings. He became an artist deeply impressed by the marvels of art, a philosopher to whom no one of the higher sciences was unknown, a statesman versed in the policy of European courts. To the eyes of those who observed him superficially he might have passed for one of those cosmopolitans, curious of knowledge, but disdaining action; one of those opulent travelers, haughty and cynical, who move incessantly from place to place, and are of no country.”
Jules Verne