The reader Quotes

“The magic in writing is not so much using your imagination as it is allowing the reader to uses theirs. When I write a novel I’m not going to hand walk you through each scene. Avid readers tend to have very high IQ’s so I’m constantly aware of, and respect that. I have a tendency to give my readers vivid descriptions of panoramic viewpoints, soft breezes, and the late evening as it scrapes against the emerging night and present this step by suspenseful step. Once I get them to the threshold of that unseen cliff, I shove them off and say, take it from there.”

“The magic in writing is not so much using your imagination as it is allowing the reader to uses theirs. When I write a novel I’m not going to hand walk you through each scene. Avid readers tend to have very high IQ’s so I’m constantly aware of, and respect that. I have a tendency to give my readers vivid descriptions of panoramic viewpoints, soft breezes, and the late evening as it scrapes against the emerging night and present this step by suspenseful step. Once I get them to the threshold of that unseen cliff, I shove them off and say, take it from there.”

“To be a critical reader means for me: (1) to affirm the enduring power of the Bible in my culture and in my own life and yet (2) to remain open enough to dare to ask any question and to risk any critical judgement. Nothing less than both of these points, together, can suffice for me. I was a reader of the Bible before I was a critic of it, but I found becoming a critic to be liberating and satisfying, and therefore I judge criticism to be a high calling of inestimable value. Yet, I recognize the prior claim of the text and the preeminence of reading over criticism; accordingly, I see and occasionally am apprehended by moments in which the text wields its indubitable power. The critic's ego says this could be a taste of the cherished post-critical naivete; the reader's proper humility before the text says that a reader should not judge such things.”

“The last chapter in 'Alice in Worcestershire' is called 'Writing the book'.I started to write that 'Diary' chapter at the very beginning of the process and followed it through to the end... speaking to the reader.My decision to do this was because I've often read autobiographies and wondered how the author felt and how it impacted them writing about painful memories that had been locked away in a deep forgotten place.I wanted to know what was going in their 'present' life while they were writing; about the struggle with sharing their inner secrets and... I'm... inquisitive. (nosy)!It took me over five years to finish 'Alice in Worcestershire' because sometimes, I was simply too drained to continue. Periodically, I updated the 'Diary' chapter and, thankfully, it's enthusiastically appreciated by readers.”

“[I]f the writer does his job right, what he basically does is remind the reader of how smart the reader is.”

“Why, of course, if the reader were smart enough, he could figure the whole thing through after just the first few pages! But in his heart Arthur knew that his readers didn't really want to win. They wanted to test their wits against the author at full pitch, and they wanted to lose. To be dazzled.”

“The reader leaves his mark on the book, as the book leaves its mark on the reader.”

“Writing is a conduit. It opens up a passageway into the past. Not just for the writer, but for the reader too. Both readers and writer are linked by the commonality of human experience.”

“The true reader must be an extension of the author. He is the higher court that receives the case already prepared by the lower court. The feeling by means of which the author has separated out the materials of his work, during reading separates out again the unformed and the formed aspects of the book—and if the reader were to work through the book according to his own idea, a second reader would refine it still more, with the result that, since the mass that had been worked through would constantly be poured into fresh vessels, the mass would finally become an essential component—a part of the active spirit.Through impartial rereading of his book the author can refine his book himself. With strangers the particular character is usually lost, because the talent of fully entering into another person’s idea is so rare. Often even in the author himself. It is not a sign of superior education and greater powers to justifiably find fault with a book. When receiving new impressions, greater sharpness of mind is quite natural.”

“If words come alive on the page, the writer succeeds in connecting to the reader.”

“I always strive to create a setting that leaves the readers' imagination room to roam. That way, every reader sees the story through their own eyes.”