Thingness Quotes

“Nostalgic memory is a sudden encounter with the thingness of the thing that has been forgotten, not the continuous desire for possessions, whether past, present, or future.”

“Politics is action and all action is but a flaw in the perfection of inaction, which is peace, just as all being is but a flaw in the perfection of nonbeing. Which is God. For if God is perfection and the only perfection is in nonbeing, then God is nonbeing. Then God is nothing. Nothing can give no basis for the criticism of Thing in its thingness. Then where do you get anything to say? Then where do you get off?”

“Since poetry deals with the singular, not the general, it cannot - if it is good poetry - look at things of this earth other than as colorful, variegated, and exciting, and so, it cannot reduce life, with all its pain, horror, suffering, and ecstasy, to a unified tonality of boredom and complaint. By necessity poetry is therefore on the side of being and against nothingness.”

“There's the imperative to keep secrets, and the imperative to have them known. How do you know that you're a person, distinct from other people? By keeping certain things to yourself. You guard them inside you, because, if you don't, there's no distinction between inside and outside. Secrets are the way you know you even have an inside. A radical exhibitionist is a person who has forfeited his identity. But identity in a vacuum is also meaningless. Sooner or later, the inside of you needs a witness. Otherwise you're just a cow, a cat, a stone, a thing in the world, trapped in your thingness. To have an identity, you have to believe that other identities equally exist. You need closeness with other people. And how is closeness built? By sharing secrets. . . . Your identity exists at the intersection of these lines of trust.”

“All I’ve ever done is dream. That, and only that, has been the meaning of my existence. The only thing I’ve ever really cared about is my inner life. My greatest griefs faded to nothing the moment I opened the window onto my inner self and lost myself in watching.I never tried to be anything other than a dreamer. I never paid any attention to people who told me to go out and live. I belonged always to whatever was far from me and to whatever I could never be. Anything that was not mine, however base, always seemed to be full of poetry. The only thing I ever loved was pure nothingness.”

“The things that kept them awake in the middle of the night, the things they did underneath the cover of darkness, both dreadful and beautiful, both attractive and repulsive, were revealed in stark clarity to their minds. A harsh reality that intensified sensations with each gust of wind. They shrank from it with frightened whimpers. The setting in each house would have fit perfectly into a post-apocalyptic tale of nuclear holocausts. Shell-shocked expressions gazed into the nothingness. Blankets over faces, silent prayers to the heavens. No curious eyes at the windows, or storm watchers dared to partake. The mere thought of looking out was too much to be borne.”

“Tedium, yes, is boredom with the world, the nagging discomfort of living, the weariness of having lived; tedium is indeed the carnal sensation of endless emptiness of things. But tedium, even more than all that, is a boredom with other worlds, whether real or imaginary; the discomfort of having to keep living, albeit as someone else in some other way, in some other world; weariness not only of yesterday and today but also of tomorrow and of eternity, if such exists, or of nothingness, if that's what eternity is. It's not only the emptiness of things and living beings that troubles the soul afflicted by tedium, it's also the emptiness of the very soul that feels this vacuum, that feels itself to be this vacuum, and that within this vacuum is nauseated and repelled by its own self.”

“It is a property of works of genius that, even when they represent vividly the nothingness of things, even when they clearly show and make you feel the inevitable unhappiness of life, even when they express the most terrible despair, nevertheless to a great soul that finds itself in a state of extreme dejection, disenchantment, nothingness, boredom, and discouragement about life, or in the most bitter and deathly misfortune (whether on account of lofty, powerful passions or something else), such works always bring consolation, [260] and rekindle enthusiasm, and, though they treat and represent nothing but death, they restore, albeit momentarily, the life that it had lost. And so, while that which is seen in the reality of things grieves and kills the soul, when seen in imitation or any other form in works of genius (e.g., in lyric poetry, which is not, properly speaking, imitation), it opens and revives the heart. In fact, just as the author who described and felt so powerfully the vanity of illusions, but still preserved a great fund of them and gave ample proof of this by conveying their vanity so accurately (see pp. 214–15), in the same way, the reader, however disillusioned both about himself and about what he reads, is yet drawn by the author into the same deception and illusion that he experienced and that are hidden in the most intimate recesses of his spirit. And the recognition of the irredeemable vanity and falsity of all beauty and all greatness is itself a kind of beauty and greatness that fills the soul when it is conveyed by a work of genius." from "Zibaldone”

“A thing of beauty is a joy forever:Its loveliness increases”

“Books smell and feel better. They have that wonderful thingness of turning the pages.”