To voice Quotes

“The sort of people that we become is, in large part, determined by the voices that we choose to listen to. Truly, we do not have a choice of listening versus not listening. We all obey certain voices, and thus the question is not “Will I listen?” but “Which voices will I listen to?” But it is not only a matter of choosing to listen to good voices over bad ones. If only it were as simple as the proverbial whispering angel and devil on our shoulders. It is also a matter of whether we will choose to listen to different voices, voices that don’t sound the same as our own. Will we listen to the voices of different cultures, ethnicities, backgrounds and beliefs? Will we listen to the voices that unsettle us and might make us feel anxious or guilty? If we choose to listen only to voices that echo our own, we will be limited in our growth and stunted in our spirituality. Choosing to tune in to only one or two stations may be comfortable, but it is not transformative. The voices we want to hear are not always the same as the voices we need to hear.”

“Women's deference is rooted not only in their social subordination but also in the substance of their moral concern. Sensitivity to the needs of others and the assumption of responsibility for taking care lead women to attend to voices other than their own and to include in their judgement other points of view.”

“You should keep calm and listen to voice inside you”

“You should be able to voice your opinion and respect the voice of the other side. You should be willing to educate yourself and know what it is you're dealing with.”

“I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room.Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.”

“There's only one thing worse than a man who doesn't have strong likes and dislikes, and that's a man who has strong likes and dislikes without the courage to voice them.”

“Back in those early days when I began my apprenticeship as a poet, I also tried to voice our anger, spirit of defiance and resistance in a Jamaican poetic idiom.”

“Intellectuals try to keep going. But their situation is very difficult. Those who have had the courage to voice their opposition have often paid a very high price.”

“The two stand in the fast-thinning throng of victims, but they speak as if they were alone. Eye to eye, voice to voice, hand to hand, heart to heart, these two children of the Universal Mother, else so wide apart and differing, have come together on the dark highway, to repair home together and to rest in her bosom.”