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“Watch movies. Read screenplays. Let them be your guide. […] Yes, McKee has been able to break down how the popular screenplay has worked. He has identified key qualities that many commercially successful screenplays share, he has codified a language that has been adopted by creative executives in both film and television. So there might be something of tangible value to be gained by interacting with his material, either in book form or at one of the seminars.But for someone who wants to be an artist, a creator, an architect of an original vision, the best book to read on screenwriting is no book on screenwriting. The best seminar is no seminar at all.To me, the writer wants to get as many outside voices OUT of his/her head as possible. Experts win by getting us to be dependent on their view of the world. They win when they get to frame the discussion, when they get to tell you there’s a right way and a wrong way to think about the game, whatever the game is. Because that makes you dependent on them. If they have the secret rules, then you need them if you want toget ahead.The truth is, you do”
Brian Koppelman“Screenplays are structure, and that’s all they are. The quality of writing—which is crucial in almost every other form of literature—is not what makes a screenplay work. Structure isn’t anything else but telling the story, starting as late as possible, starting each scene as late as possible. You don’t want to begin with “Once upon a time,” because the audience gets antsy.”
William Goldman“The personal screenplay- where you dive into the terrifying depths of your soul, unearth the most intimate details about yourself, and put it on paper for the world to see. Proceed with caution, for madness lies ahead.”
A.D. Posey“When you look for beauty, you usually end up finding it.From Central Park Song (A Screenplay)”
Zack Love, Stories and Scripts: an Anthology“So I have 8 to 10 screenplays written and unproduced. And frankly, some of them are my favorite stories. I have a Western version of The Count Of Monte Cristo where the count has a clockwork hand. I have a screenplay called Mephisto's Bridge about a Faustian deal with the devil. I love them all.”
Guillermo del Toro“I wish I knew how to get you back. And apparently fate won't let me give up"From Central Park Song: a Screenplay”
Zack Love, Stories and Scripts: an Anthology“ERIC: What are you always writin' in that book anyway?RODNEY: Poetry.TYRONE: Poetry?Rodney stops sketching and sentimentally flips through a few dozen pages of sketches and handwritten poems and notes.RODNEY: Poetry and pictures. Snapshots of our lives developed in the darkrooms of our souls."From CENTRAL PARK SONG -- a screenplay”
Zack Love, Stories and Scripts: an Anthology“And today is really the happiest day of your life, because today you woke up and stumbled across the shadow of your soul in broad daylight."From Central Park Song: a Screenplay”
Zack Love, Stories and Scripts: an Anthology“Lunatics are similar to designated hitters. Often an entire family is crazy, but since an entire family can't go into the hospital, one person is designated as crazy and goes inside. Then, depending on how the rest of the family is feeling that person is kept inside or snatched out, to prove something about the family's mental health.”
Susanna Kaysen, Girl, Interrupted (Faber and Faber Screenplays) Screenplay based on the book“There's nothing more important in making movies than the screenplay.”
Richard Attenborough