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Tragedy has been described as 'the conflict between desire and possibility.' Following this definition, is The Forgotten Garden a tragedy? If so, in what way/s?

Kate Morton
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In advising the heads of state to learn from tragedy rather than perpetuate its existence Robert Kennedy excalimed, "Tragedy is a tool for the living to gain wisdom, not a guide by which to live." We have a tendency to dwell on tragedy and use it as a justification for tragic occurrences that follow,rather than parse the tragedy, taking from it important lessons and using those lessons to avoid similar tragedies.

Megan Karasch
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in your dream, you are jealous of tragedies.and the truth is, we all want our own tragedy, because life is pale without it.we want the teeth, the screaming.the survivalthat comes with it.

Salma Deera, Letters From Medea
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War is tragedy. The great war stories are tragedies. It's the failure of diplomacy. 'War and Peace,' 'A Farewell to Arms,' 'For Whom the Bell Tolls.' Those are some of the greatest tragedies.

David Mamet
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Life is the tragedy,' she said bitterly. 'You know how they categorize Shakespeare's plays, right? If it ends with a wedding, it's a comedy. And if it ends with a funeral, it's a tragedy. So we're all living tragedies, because we all end the same way, and it isn't with a goddamn wedding.

Robyn Schneider, The Beginning of Everything
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It often happens that the real tragedies of life occur in suchan inartistic manner that they hurt us by their crude violence, theirabsolute incoherence, their absurd want of meaning, their entire lackof style. They affect us just as vulgarity affects us. They give usan impression of sheer brute force, and we revolt against that.Sometimes, however, a tragedy that possesses artistic elements ofbeauty crosses our lives. If these elements of beauty are real, thewhole thing simply appeals to our sense of dramatic effect. Suddenlywe find that we are no longer the actors, but the spectators of theplay. Or rather we are both. We watch ourselves, and the mere wonderof the spectacle enthralls us.

Oscar Wilde, The Picture of Dorian Gray
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Tragedy is born of myth, not morality. Prometheus and Icarus are tragic heroes. Yet none of the myths in which they appear has anything to do with moral dilemmas. Nor have the greatest Greek tragedies. If Euripides is the most tragic of the Greek playwrights, it is not because he deals with moral conflicts but because he understood that reason cannot be the guide of life.

John N. Gray, Straw Dogs: Thoughts on Humans and Other Animals
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We naturally try to forget our personal tragedies, serious or trifling, as soon as possible (even something as petty as being scorned or disdained by a stranger on a street corner). We try not to carry these things over to tomorrow. It is not strange, therefore, that the whole human race is trying to put Hiroshima, the extreme point of human tragedy, completely out of mind.

Kenzaburō Ōe, Hiroshima Notes
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No man, proclaimed Donne, is an Island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature, and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived, and then, by some means or another, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes—forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'd mistake one for another, after a minute's close inspection), but still unique.

Neil Gaiman, American Gods
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But God has also given us the power to forget, so that when the tragedy is over we carry on as normal.

Malala Yousafzai, I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban
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