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“Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. The affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabiness of the subject matter. This is why we love "Madame Bovary" and cry for Emma, why we greedily read "Lolita" as our heart breaks for its small, vulgar, poetic and defiant orphaned heroine.”
Azar Nafisi“We cannot save everyone, can we?’ I said to her as we continued walking on our way. I turned my head back only to find the spot the beggar had occupied empty. ‘Not everyone,’ she said. She took my hand once more in hers, kissed the back of it, and finished one of the sincerest axioms I had heard in sometime. ‘We must save,’ she said, ‘only the ones we can while we can.’Leila Bakr, in A TIME TO LOVE IN TEHRAN, and speaking to her love, John Lockwood”
C.G. Fewston“Mahtab looked out of the window at the moon clearing the rooftops, bathing everything around in its silver light. She sighed, envying Nasim's freedom. For just like Mahtab's namesake, as the moonlight was beholden to the sun, she was beholden to her family.”
Azin Sametipour, Tehran Moonlight“Lying is second nature and I do it very well. Titus Ray, Chapter 5”
Luana Ehrlich, One Night in Tehran“Most critical histories of U.S. involvement in Iran rightly began with the joint British-U.S. coup against democratically elected Prime Minister Mohammad Mosaddegh in 1953, which installed Pahlavi on the Peacock Throne. But it was Kissinger who, in 1972, greatly deepened the relationship between Washington and Tehran.”
Greg Grandin“Sometimes it's easier not to think about things you can't do anything about.”
Mahbod Seraji, Rooftops of Tehran“Like spilled water, once a girl's reputation is ruined, it will never come back”
Azin Sametipour, Tehran Moonlight“I write that crime is an unlawful act of violence that can be committed by anyone, and that punishment is the consequence designed for criminals who don't have the economic means to cover it up. Throughout history, men of wealth and power have been exempt from facing the consequences of their evil deeds. Crime, therefore, can be defined as an offense committed by an individual of inferior status in society. Punishment is a consequence forced on the perpetrator of the crime only if he occupies one of the lower steps of the social ladder”
Mahbod Seraji, Rooftops of Tehran“[America]'s higher education system is excellent, both in terms of quality and accessibility. Here anybody can go to college. Many countries simply can't accommodate many students. And by the way, most people who came here in the seventies came to get an education. They didn't wake up one morning and say, 'I'm going to America to be free.' they said, 'I'll go there to get an education.' That's an important distinction. It was only after they were here for a while that they fully appreciated the freedoms we enjoy here.”
Mahbod Seraji, Rooftops of Tehran“It was a sin. Kissing a guy who wasn't betrothed to her was wrong in every way. Everyone knew that. It was haram. Forbidden. You would go to hell for that...”
Azin Sametipour, Tehran Moonlight