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“The most important thing I learned on Tralfamadore was that when a person dies heonly appears to die. He is still very much alive in the past, so it is very silly for people tocry at his funeral. All moments, past, present and future, always have existed, always willexist. The Tralfamadorians can look at all the different moments just that way we canlook at a stretch of the Rocky Mountains, for instance. They can see how permanent allthe moments are, and they can look at any moment that interests them. It is just anillusion we have here on Earth that one moment follows another one, like beads on astring, and that once a moment is gone it is gone forever.'When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in a badcondition in that particular moment, but that the same person is just fine in plenty of othermoments. Now, when I myself hear that somebody is dead, I simply shrug and say whatthe Tralfamadorians say about dead people, which is "so it goes.”
Kurt Vonnegut Jr.“When a Tralfamadorian sees a corpse, all he thinks is that the dead person is in bad condition in the particular moment, but that the same person is just fine in plenty of other moments. Now, when I myself hear that somebody is dead, I simply shrug and say what the Tralfamadorians say about dead people, which is "So it goes.”
Kurt Vonnegut Jr., Slaughterhouse-Five“The most important thing I learnt on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present, and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just the way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever. When any Tralfamadorian sees a corpse, all he thinks is that the dead person is in a bad condition in that particular moment, but that the same person is just fine in plenty of other moments.”
Kurt Vonnegut Jr., Slaughterhouse-Five“There are no telegraphs on Tralfamadore. But you're right: each clump of symbols is a brief, urgent message-- describing a situation, a scene. We Tralfamadorians read them all at once, not one after the other. There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.”
Kurt Vonnegut Jr., Slaughterhouse-Five“That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?''Yes' Billy, in fact, had a paperweight in his office which was a blob of polished amber with three ladybugs embedded in it.'Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
Kurt Vonnegut Jr., Slaughterhouse-Five“That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?''Yes' Billy, in fact, had a paperweight in his office which was a plop of polished amber with three ladybugs embedded in it.'Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
Kurt Vonnegut Jr., Slaughterhouse-Five