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“Faut être drôlement heureux pour supporter d'être triste, drôlement heureux ou drôlement courageux, et moi je ne suis pas très courageuse, et je suis très très malheureuse.”
Justine Lévy“I think women should be seductive, not triste. There's enough sadness in life now without making women look sad, too.”
Azzedine Alaia“E andando nel sole che abbagliasentire con triste meravigliacom'è tutta la vita e il suo travaglioin questo seguitare una muragliache ha in cima cocci aguzzi di bottiglia.”
Eugenio Montale“Je ne laissa entrer que le plaisair, oui, j’ai cette capacité-là, moi, de filtrer ce qui m’arrive, de choisir, j’ai choisi de ne pas être triste.”
Justine Lévy, Nothing Serious“A rua dos cataventosDa vez primeira em que me assassinaram,Perdi um jeito de sorrir que eu tinha.Depois, a cada vez que me mataram,Foram levando qualquer coisa minha.Hoje, dos meu cadáveres eu souO mais desnudo, o que não tem mais nada.Arde um toco de Vela amarelada,Como único bem que me ficou.Vinde! Corvos, chacais, ladrões de estrada!Pois dessa mão avaramente aduncaNão haverão de arracar a luz sagrada!Aves da noite! Asas do horror! Voejai!Que a luz trêmula e triste como um ai,A luz de um morto não se apaga nunca!”
Mario Quintana“Le golpeé el abdomen mientras me reía.—¿Por qué eres tan cruel?—Porque si te digo que todo estará bien, te estaría mintiendo. Es lo lógico que extrañes a alguien que quisiste tanto, con quien compartiste parte de tu vida y frente a quien te desnudaste y no me refiero solamente al cuerpo. Pero es la forma en la que tu cerebro procesa la ausencia, vas a estar triste, tendrás recuerdos, añoranzas, maldecirás y te mentirás para sentirte mejor. Debes vivirlo, dejarlo salir, gritar, llorar… sacarlo de ti. Pero, lo peor que puedes hacer es darle más importancia de la necesaria. No te encierres ni te aísles. Habla, con tus amigos, conmigo o con los gatos. —¿Quién eres? —Le puyé el brazo.—La respuesta a tu S.O.S. Tu rescatista. Vamos.”
Isa Quintin, LadyKiller“For mile after mile the same melodic phrase rose up in my memory. I simply couldn’t get free of it. Each time it had a new fascination for me. Initially imprecise in outline, it seemed to become more and more intricately woven, as if to conceal from the listener how eventually it would end. This weaving and re-weaving became so complicated that one wondered how it could possibly be unravelled; and then suddenly one note would resolve the whole problem, and the solution would seem yet more audacious than the procedures which had preceded, called for, and made possible its arrival; when it was heard, all that had gone before took on a new meaning, and the quest, which had seemed arbitrary, was seen to have prepared the way for this undreamed-of solution.”
Claude Lévi-Strauss, Tristes Tropiques“From time to time, too, and for the space of two or three paces, an image or an echo would rise up from the recesses of time: in the little streets of the beaters of silver and gold, for instance, there was a clear, unhurried tinkling, as if a djinn with a thousand arms was absent-mindedly practising on a xylophone.”
Claude Lévi-Strauss, Tristes Tropiques“Often, on the brink of finding the recipe for immortality, I get distracted by the frightful presence of death.”
Héctor Abad Faciolince, Tratado de culinaria para mujeres tristes“When you say ugly you mean your beauty is not now in style.”
Héctor Abad Faciolince, Tratado de culinaria para mujeres tristes