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“I think it was then that it dawned on me that Mum wasn't going to notice Chris was missing. She has been made so that she thinks Chris is just round the corner all the time. She doesn't realise that she never sees him. I don't know why I didn't understand earlier. If Aunt Maria can turn Chris into a wolf, she's surely strong enough to do this to Mum- except that it seems a different kind of thing, much more natural and ordinary, and I didn't really think she could do both kinds.”
Diana Wynne Jones, Black Maria“Look out your window on a morning in spring, ten or twenty years hence, and perhaps you'll see me coming.”
Suzannah Rowntree, Pendragon's Heir“Contemporary attitudes toward urban parks fall into three levels of sophistication. The first, the most naive assumption, is that parks are just plots of land preserved in their original state. If asked to discuss the issue at all, many laymen have maintained this much, that parks are bits of nature created only in the sense that some decision was made not to build on the land. Many are surprised to learn that parks that an artifact conceived and deliberated as carefully as public buildings, with both physical shape and social usage taken into account. The second, a little more informed, is that parks are aesthetic objects and that their history can be understood in terms of an evolution of artistic styles independent of societal considerations. The third is the view that each of the elements of the urban park represents part of planners' strategy for moral and social reform, so that today, as in the past, the citizen visiting a park is subject to an accumulated set of intended moral lessons.”
Galen Cranz, The Politics of Park Design: A History of Urban Parks in America“Chamari: "Aravinda, have you been to Kataragama?"Aravinda: "No, I've never been there."Chamari: "What? That's unbelievable for someone born in Deniyaya!"Aravinda: "Going to Kataragama is not a custom of the rural folk. It is the middle class and wealthy urban people, not the villagers, who venerate the Kataragama god. He is the god of the urbanities. The villagers have now started to imitate the urban people."Chamari:"I thought even villagers used to go to Kataragama long ago."Aravinda: "No, It came from the rich urban Sinhalese of the towns who followed the rich Hindus.”
මාර්ටින් වික්රමසිංහ, Yuganthaya“@K11, Urban farming; It’s something nice and warm for families and kids, but also references elements of the city. Urban Farming is very important for Shanghainese people because the city has lost its connection with nature. When you buy fruit or vegeta”
Baris Gencel“The urban capitalists and the bourgeoisie differ in linguistic habits and dress from the workers. They don't live together in one integrated society, but as two separate societies that speak different languages both literally and metaphorically. The urban capitalists do not know the life led by workers. Workers experience hardships that are unheard of amongst villagers and these evoke malice in the urban workers, easily stirred by union leaders who use them to ride to power. Villagers are different. Teaching the villagers cannot easily change what they have inherited from the environment and the past they have known and in which they have grown up. The village entrepreneur wore only a sarong in the past. Some of them wore a sarong and slung another over a shoulder. The poor villager's dress is also a sarong. The village entrepreneur speaks Sinhalese, which is the language of the poor villager too. On the day of the traditional New Year, the children of both the rich and the poor in the village eat together and play together in the homes of the villager elite. All this subdues feelings of resentment against the wealthy villagers. It's true that villagers suffer a great deal on account of their poverty. But unlike the urban poor, poverty amongst the villagers does not incite malice toward the wealthy, due to the rural way of life.”
මාර්ටින් වික්රමසිංහ, Yuganthaya“This was an urban legend that didn't make it on to Snopes.com”
Jackie Sonnenberg, All That Glitters“The seed of an urban legend find fertile soil at the corner of tragedy and imagination.”
Thomm Quackenbush, We Shadows“Urbanism is the most advanced, concrete fulfillment of a nightmare. Littre defines nightmare as 'a state that ends when one awakens with a start after extreme anxiety.' But a start against whom? Who has stuffed us to the point of somnolence?”
Tom McDonough, The Situationists and the City: A Reader