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“I miss being in Barbados in December,That is a time I always remember,The smell of varnish on the wooden floors,And the smell of paint on the wooden doorsThe crowds in de Supermarket,Buying up the rum,And the music blastingPuh rup a pum pum”
Charmaine J Forde“To allow your life varnish into vanity without reproducing it would mean to live a wasted life.”
Sunday Adelaja, How To Become Great Through Time Conversion: Are you wasting time, spending time or investing time?“Vermeer's skill was in combining few colors, mixing little and using layers of lakes and varnishes to build up the illusion of life”
Frank Wynne, I Was Vermeer: The Rise and Fall of the Twentieth Century's Greatest Forger“When you leave where God is sending you to somewhere else, your star will varnish. A lesson to learn here....don't go to Herod's house when you are looking for Jesus.”
Patience Johnson, Why Does an Orderly God Allow Disorder“I shall strip away layer after layer of grime -- the toffee-colored varnish and caked soot left by a lifetime of dissembling -- until I come to the very thing itself and know it for what it is. My soul. My self.”
John Banville, The Untouchable“Mom spent the time that she was supposed to be a kid actully raising children, her younger brother and younger sister. She was tough as nails and did not suffer fools at all. And the truth was she could not afford to. She spoke the truth, bluntly, directly, and without much varnish. I am her son.”
Chris Christie“When the Devil goeth about like a roaring lion, he goeth about in a shape by which few but savages and hunters are attracted. But, when he is trimmed, smoothed, and varnished, according to the mode: when he is aweary of vice, and aweary of virtue, used up as to brimstone, and used up as to bliss; then, whether he take to the serving out of red tape, or to the kindling of red fire, he is the very Devil.”
Charles Dickens, Hard Times“I am free. I am one of the few free people in this country of utterly transparent slavery. A slavery covered by a sloppy coat of contemporary varnish. I have fought a long and bloodless battle for this pitiable personal freedom. I fought for my freedom against the temptations, ambitions, and appetites witch drive everyone blindly on the slaughterhouse. To the so-called modern slaughterhouse for human dignity, honor, and for something else, too, which we forgot about a long time ago.”
Tadeusz Konwicki, A Minor Apocalypse“A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies.At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")”
Vladimir Nabokov, American Fantastic Tales: Terror and the Uncanny from the 1940's Until Now