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“Could any State on Earth Immortall be,Venice by Her rare Goverment is She;Venice Great Neptunes Minion, still a Mayd,Though by the warrlikst Potentats assayed;Yet She retaines Her Virgin-waters pure,Nor any Forren mixtures can endure;Though, Syren-like on Shore and Sea, Her FaceEnchants all those whom once She doth embrace,Nor is ther any can Her bewty prizeBut he who hath beheld her with his Eyes:Those following Leaves display, if well observed,How she long Her Maydenhead preserved,How for sound prudence She still bore the Bell;Whence may be drawn this high-fetchd parallel,Venus and Venice are Great Queens in their degree,Venus is Queen of Love, Venice of Policie.”
James Howell“I cannot write about Venice; I can only write about me, and the sleeping parts of myself that Venice has shocked into wakefulness.”
Jessica Zafra, Twisted Travels“Aboard the gondola, Giacomo Foscarini sat facing Mathias. They were crossing the Canal Grande, then they would navigate around San Marco and return. Foscarini loved to travel around Venice this way. They stopped briefly at a mooring near the bridge to the Rialto, and Foscarini had a servant fetch green olives, fresh Piacenza cheese, a few sausages from Modena, and wine that had just been delivered from Crete. The nobleman often dined aboard his gondola, looking out over the city, watching his world. "Seen from this vantage point, Venice doesn't seem like it's in any of its terrible troubles at all magister," said Foscarini.”
Riccardo Bruni, The Lion and the Rose“She dreamed of Venice. However, it wasn’t a city alive with stars dripping like liquid gold into canals, or Bougainvillea spilling from flowerpots like overfilled glasses of wine. In this dream, Venice was without color. Where pastel palazzi once lined emerald lagoons, now, gray, shadowy mounds of rubble paralleled murky canals. Lovers could no longer share a kiss under the Bridge of Sighs; it had been the target of an obsessive Allied bomb in search of German troops. The only sign of life was in Piazza San Marco, where the infamous pigeons continued to feed. However, these pigeons fed not on seeds handed out by children, but on corpses rotting under the elongated shadow of the Campanile.”
Pamela Allegretto, Bridge of Sighs and Dreams“The people had once created the city. The city now created the people, or, more exactly, the people of Venice now identified themselves more in terms of the city. The private had become public.”
Peter Ackroyd, Venice: Pure City“Her stare fixed me. Without rancour and without regret; without triumph and without evil; as Desdemona once looked back on Venice. On the incomprehension, the baffled rage of Venice. I had taken myself to be in some way the traitor Iago punished, in an unwritten sixth act. Chained in hell. But I was also Venice; the state left behind; the thing journeyed from.”
John Fowles, The Magus“A realist, in Venice, would become a romantic by mere faithfulness to what he saw before him.”
Arthur Symons“Venice is like eating an entire box of chocolate liqueurs in one go.”
Truman Capote“Venice appeared to me as in a recurring dream, a place once visited and now fixed in memory like images on a photographer’s plates so that my return was akin to turning the leaves of a portfolio: a scene of the gondolas moored by the railway station; the Grand Canal in twilight; the Rialto bridge; the Piazza San Marco; the shimmering, rippling wonderland; the bustling water traffic; the fish market; the Lido beach and boardwalk; Teeny in the launch; the singing, gesturing gondoliers; the bourgeois tourists drinking coffee at Florian’s; the importunate beggars; the drowned girl’s ghost haunting the Bridge of Sighs; the pigeons, mosquitoes and fetor of decay.”
Gary Inbinder, The Flower to the Painter“The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. Mark the music.”
William Shakespeare, The Merchant of Venice