Villian Quotes

“We forgive sometimes, and sometimes we don't. One thing that's consistent is, at least in the early going, we love to punish and we need to find a villian.”

“All malice, real and imagined, Ralegh's and the KIng's, will die upon the instant stroke of an axe. Be buried with him. His faith, then? Whatever remains will be parted. Some will go with the head and some with the headless body. Let them look for each other on Judgment Day. Perhaps on that day, in the haste of it, the bodies of traitors will have to settle for heads other than their own. Some inevitable mismatching of villians and rogues will take place. And one fine bony fellow will spy his skull upon another's body. Then another. And then maybe we shall be witness to the brawl and battle of the bones...”

“By far, the most important distortions and confabulations of memory are those that serve to justify and explain our own lives. The mind, sense-making organ that it is, does not interpret our experiences as if they were shattered shards of glass; it assembles them into a mosaic. From the distance of years, we see the mosaic’s pattern. It seems tangible, unchangeable; we can’t imagine how we could reconfigure those pieces into another design. But it is a result of years of telling our story, shaping it into a life narrative that is complete with heroes and villians, an account of how we came to be the way we are. Because that narrative is the way we understand the world and our place in it, it is bigger than the sum of its parts. If on part, one memory, is shown to be wrong, people have to reduce the resulting dissonance and even rethink the basic mental category: you mean Dad (Mom) wasn’t such a bad (good) person after all? You mean Dad (Mom) was a complex human being? The life narrative may be fundamentally true; Your father or mother might really have been hateful, or saintly. The problem is that when the narrative becomes a major source of self-justification, one the storyteller relies on to excuse mistakes and failings, memory becomes warped in its service. The storyteller remembers only the confirming examples of the parent’s malevolence and forgets the dissonant instances of the parent’s good qualities. Over time, as the story hardens, it becomes more difficult to see the whole parent — the mixture of good and bad, strengths and flaws, good intentions and unfortunate blunders.Memories create our stories, but our stories also create our memories.”

“Hark, villains! I will grind your bones to dust. (Act V, Scene 2, 2503)”

“Finally someone takes me seriously enough to ask for my word of honor, and it’s a villain.”

“The train is roaring toward you and the villain is twirling his moustache and you're fussing that he's tied you to the tracks with the wrong kind of rope.”

“The problem with heroes and villains is that it’s not always easy to tell which is which. Particularly when you are one.”

“Vexis stopped crying. She now looked more annoyed than anything. She feigned like she was trying to remember something. “So, eh, was he the fat one or the crippled one? Or the fat, crippled one? Y’know, it was just so much fun watching them hobble towards their body parts, I didn’t think to ask for names.”

“But if you caught my informant,' said Achilles, 'why in the world would Chamrajnagar—or Graff, if it was him—launch the shuttle anyway? Was catching me doing something naughty so important they’d risk a shuttle and it’s crew just to catch me? I find that quite… flattering. Sort of like winning the Nobel Prize for scariest villain.”