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“All malice, real and imagined, Ralegh's and the KIng's, will die upon the instant stroke of an axe. Be buried with him. His faith, then? Whatever remains will be parted. Some will go with the head and some with the headless body. Let them look for each other on Judgment Day. Perhaps on that day, in the haste of it, the bodies of traitors will have to settle for heads other than their own. Some inevitable mismatching of villians and rogues will take place. And one fine bony fellow will spy his skull upon another's body. Then another. And then maybe we shall be witness to the brawl and battle of the bones...”
George Garrett“By far, the most important distortions and confabulations of memory are those that serve to justify and explain our own lives. The mind, sense-making organ that it is, does not interpret our experiences as if they were shattered shards of glass; it assembles them into a mosaic. From the distance of years, we see the mosaic’s pattern. It seems tangible, unchangeable; we can’t imagine how we could reconfigure those pieces into another design. But it is a result of years of telling our story, shaping it into a life narrative that is complete with heroes and villians, an account of how we came to be the way we are. Because that narrative is the way we understand the world and our place in it, it is bigger than the sum of its parts. If on part, one memory, is shown to be wrong, people have to reduce the resulting dissonance and even rethink the basic mental category: you mean Dad (Mom) wasn’t such a bad (good) person after all? You mean Dad (Mom) was a complex human being? The life narrative may be fundamentally true; Your father or mother might really have been hateful, or saintly. The problem is that when the narrative becomes a major source of self-justification, one the storyteller relies on to excuse mistakes and failings, memory becomes warped in its service. The storyteller remembers only the confirming examples of the parent’s malevolence and forgets the dissonant instances of the parent’s good qualities. Over time, as the story hardens, it becomes more difficult to see the whole parent — the mixture of good and bad, strengths and flaws, good intentions and unfortunate blunders.Memories create our stories, but our stories also create our memories.”
Carol Tavris“Hark, villains! I will grind your bones to dust. (Act V, Scene 2, 2503)”
William Shakespeare, Titus Andronicus“The train is roaring toward you and the villain is twirling his moustache and you're fussing that he's tied you to the tracks with the wrong kind of rope.”
Robin McKinley, Sunshine“The problem with heroes and villains is that it’s not always easy to tell which is which. Particularly when you are one.”
Jessica Meats, Omega Rising“I'd write of people and places like I knew, and I'd make my characters talk everyday English; and I'd let the sun rise and set in the usual quiet way without much fuss over the fact. If I had to have villains at all, I'd give them a chance, Anne--I'd give them a chance. There are some terrible bad men the world, I suppose, but you'd have to go a long piece to find them...But most of us have got a little decency somewhere in us. Keep on writing, Anne.”
L.M. Montgomery, Anne of the Island“We’re the villains you root for in the story.”
Melissa de la Cruz, Return to the Isle of the Lost“Yeah, well, what are you going to teach me next...how to take over the world?” I asked sarcastically.“Good idea!” Sampson exclaimed a little too enthusiastically.“No, bad idea!” I stressed.“See? You are learning,” Sampson said.”
Jennifer Priester“Only a demon would prevent a person from saving lives or fulfilling their life mission. There is no reasoning with the devil. Stand with pride because your heart is filled with the goodness of helping others, while theirs is filled with helping themselves.”
Shannon L. Alder