Visibility Quotes
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“Merleau-Ponty's painting inhabits the same rhetoric as early cinema: it makes the invisible visible, or rather it makes visibility visible; it forms from the thresholds of the visible and invisible world, an order, mode, or aesthetic of visuality. Not only of the small or fast, but of visibility as such. The visuality of the visible and the invisible is found in the mixture of the body and its world, of your body and your world, all your worlds, all your bodies in this world and all those others. Painting is the process by which the visuality of the visible and invisible is made manifest: "Painting mixes up all our categories in laying out its oneiric universe of carnal essences, of effective likenesses, of mute meanings." Each painting is a universal archive, a picture of the universe, a universal image—and like a dream.”
Akira Mizuta Lippit
“Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.”
Edvard Munch“Peace is more of an internal settlement rather than what is visible on the external.”
Criss Jami, Salomé: In Every Inch In Every Mile“Beauty is more popular than virtues because it is more visible than virtues.”
Amit Kalantri, Wealth of Words“Nowadays 'invisibility' was supposed to be the big problem, but the way I saw it was, all that mattered was to be visible to yourself.”
Emma Donoghue“We have to provide more visibility, more certainty to the investors and reduce the cost of failure.”
Emmanuel Macron“For Merleau-Ponty, the phenomenology of the human body, the very phenomenon of the human body, is intimately linked to "the problems of painting": "Things have an internal equivalent in me; they arouse in me a carnal formula of their presence. Why shouldn't these [correspondences] in turn give rise to some [external] visible shape in which anyone else would recognize those motifs which support his own inspection of the world?" Painting brings forth a carnal visuality, an embodied and incarnate image, by establishing the internal equivalent ("in me") of the outside world, which is made of the "same stuff." I am an extension of the world, but the world extends, intensifies, forms a "line of intensity," to use Gilles Deleuze's idiom, inside me. The world forms a "strange system of exchanges" with me; I am constituted in an exchange with the world. Painting makes this continuity visible, is itself the visualization of this continuity, of this blending of the inside and out. Images—"designs" and "paintings"—says Merleau-Ponty, are "the inside of the outside and the outside of the inside, which the duplicity of feeling makes possible and without which we would never understand the quasi presence and imminent visibility which make up the whole problem of the imaginary.”
Akira Mizuta Lippit, Atomic Light“Age had not made him less handsome, as is so often the case; it had simply made him less visible.”
Orhan Pamuk, The Museum of InnocenceAll in One Creative & Marketing Platform to tell stories at scale
