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Remarkably, studies of visual perception have found that two-dimensional images projected onto the retina only achieve full dimensionality as a result of our perception: we infer the third dimension of depth. Sadly, though, as the urgency to expedite all communicative transactions usurps out customary patterns of exchange, perception is accelerated as well. There does not seem to be a great deal of time left over to infer--or interpret, or imagine--much of anything at all. In the end, of course, there is nothing real about this at all, except for our propensity to let it happen.

Jessica Helfand
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Remarkably, studies of visual perception have found that two-dimensional images projected onto the retina only achieve full dimensionality as a result of our perception: we infer the third dimension of depth. Sadly, though, as the urgency to expedite all communicative transactions usurps out customary patterns of exchange, perception is accelerated as well. There does not seem to be a great deal of time left over to infer--or interpret, or imagine--much of anything at all. In the end, of course, there is nothing real about this at all, except for our propensity to let it happen.

Jessica Helfand, Screen: Essays on Graphic Design, New Media, and Visual Culture
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We've been given the power to have what we visualize, but we tend to visualize what we already have.

Tommy Newberry, The 4:8 Principle: The Secret to a Joy-Filled Life
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I have a visual imagination.

Sylvia Plath
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Merleau-Ponty's painting inhabits the same rhetoric as early cinema: it makes the invisible visible, or rather it makes visibility visible; it forms from the thresholds of the visible and invisible world, an order, mode, or aesthetic of visuality. Not only of the small or fast, but of visibility as such. The visuality of the visible and the invisible is found in the mixture of the body and its world, of your body and your world, all your worlds, all your bodies in this world and all those others. Painting is the process by which the visuality of the visible and invisible is made manifest: "Painting mixes up all our categories in laying out its oneiric universe of carnal essences, of effective likenesses, of mute meanings." Each painting is a universal archive, a picture of the universe, a universal image—and like a dream.

Akira Mizuta Lippit, Atomic Light
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Imagine an organization where the physical plant honors the mission, celebrates the employees, shares information, holds people accountable, shapes the outside world's view and helps drive performance. That would be an organization which uses visual management.

Stewart Liff
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Visualization: daydreaming with a purpose.

Pen
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Start visualizing and believing the life you want to live. Your strong visualization and self belief shall take you there. It's your life no one else than you only can change it!!!

Santosh Adbhut Kumar
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We know that children with autism like order, that they are often very visual and that they can be quite literal. They deserve beautiful resources and symbols that make sense. If a picture does not explain visually, it is pointless and the child will stop looking to the pictures for information.

Adele Devine, Colour Coding for Learners with Autism: A Resource Book for Creating Meaning through Colour at Home and School
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Having Simultanagnosia (object blindness), Prosopagnosia (face blindness) and Semantic Agnosia (meaning blindness) goes in my favour with regards to abstract art living in world full of fragmented pieces when I draw it is in real time no visual memory means no "pre-formatted" picture in my mind so I go where my hand takes it's like journey that is happening in the moment, hence why I drew these without my lenses on. When I was younger I would draw pictures by "route" which made it a appear that I had a visual memory (cobbling together things out of context and making a contextual image)

Paul Isaacs
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Borges's extreme architecture attempts to visualize the universe by assigning to every object real and unreal, now and yet to come, a code or sign, a corresponding figure within the Library. It seeks to render totality visible, to effect a total visibility and visuality. The Library of Babel is a view of the universe inside and out, an X-ray of the universe and universal X-ray, seen from within and without. It is a representation of everywhere: a perfect duplication of the universe. And of you: universal. An endless and eternal cinema, an imaginary archive that extends into the universe until it is indistinguishable from it, until you are indistinguishable from the universe.

Akira Mizuta Lippit, Atomic Light
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