Warner andersonanderson Quotes

“Because I was dying.　　And Warner could’ve let me die. He was angry and hurt and had every reason to be bitter. I’d just ripped his heart out; I’d let him believe something would come of our relationship. I let him confess the depth of his feelings to me; I let him touch me in ways even Adam hadn't. I didn't ask him to stop.　　Every inch of me was saying yes.　　And then I took it all back. Because I was scared, and confused, and conflicted. Because of Adam.　　Warner told me he loved me, and in return I insulted him and lied to him and yelled at him and pushed him away. And when he had the chance to stand back and watch me die, he didn’t.　　He found a way to save my life.　　With no demands. No expectations. Believing full well that I was in love with someone else, and that saving my life meant making me whole again only to give me back to another guy.　　And right now, I can’t say I know what Adam would do if I were dying in front of him. I’m not sure if he would save my life. And that uncertainty alone makes me certain that something wasn't right between us.”

“Tell me what you want" he [Warner] says desperately. "Tell me what to do," he says, "and I'll do it.”

“Because something inside of my heart is ripping apart and it feels like fear, it tastes like panic and anxiety and desperation and I don't know how to understand th image in front of me. I don't want to see Warner like this. I don't want to think of him as anything other than a monster.This isn't right”

“For my very first movie, 'Roger and Me,' I made it as part of my deal with Warner Brothers that the four people that were evicted in that film, that Warner Brothers would house - would pay their mortgage or their rent for the next two years to give them a chance to get on their feet.”

“My point is that this Potter business has legs. It will run and run, and we must be utterly mad, as a country, to leave it to the Americans to make money from a great British invention. I appeal to the children of this country and to their Potter-fiend parents to write to Warner Bros and Universal, and perhaps, even, to the great J K herself. Bring Harry home to Britain—and if you want a site with less rainfall than Rome, with excellent public transport, and strong connections to Harry Potter, I have just the place.”

“I tried to do it all myself: be mommy and camp counselor and art teacher and prereading specialist (and somehow, in my off-hours, to do my own work). I tried my absolute best. And like so many of the moms around me, I started to go a little crazy.”

“Something is missing, and it's something not so easy to name as semiabsent husbands, not so easy to point to as a lack of work, or too much work, or a lack of adequate child care. It's the sense that life should have led up to more than it has. A sense that after all the hard work, for all our achievements as individuals and as a "postfeminist" generation, life should be better than this.”

“What kind of choice is it, really, when motherhood forces you into a delicate balancing act -- not just between work and family, as the equation is typically phrased, but between your premotherhood and postmotherhood identities? What kind of choice is it when you have to choose between becoming a mother and remaining yourself?”

“In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation.Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each other—not 'mad'—and where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT?”