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Wealthy men can't live in an island that is encircled by poverty. We all breathe the same air. We must give a chance to everyone, at least a basic chance.

Ayrton Senna
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Wealthy men can't live in an island that is encircled by poverty. We all breathe the same air. We must give a chance to everyone, at least a basic chance.

Ayrton Senna
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But this is till the same girl who once lived in the steppes, wild and indomitable. Even when she ceased to play in the falling snow, the snow continued to fall within her soul. She never sough lovers among the wealthy men and the crown princes who prostrated themselves before her; her heart, like her voice, remained faultless. The reputation, temperament and talent of the woman partook of exactly the same crystalline transparency and icy clarity. ("The Glass Of Blood")

Jean Lorrain
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Malin listened to Wickramanayake's gossip dispassionately. He did not accept Wickramanayake's opinion that it was the influence of Western customs and attitudes that prompted Savulugala, in his straitened economic circumstances, to allow his wife to befriend and exploit wealthy men. There were poor people in both town and village who exploited even their daughters to get money. Did these poor parents degrade themselves because they were enslaved by Western culture? It was the prevailing economic and social order that brought them to this.

මාර්ටින් වික්‍රමසිංහ, Yuganthaya
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Corus lay on the southern bank of the Oloron River, towers glinting in the sun. The homes of wealthy men lined the river to the north; tanners, smiths, wainwrights, carpenters, and the poor clustered on the bank to the south. The city was a richly colored tapestry: the Great Gate on Kings-bridge, the maze of the Lower City, the marketplace, the tall houses in the Merchants' and the Gentry's quarters, the gardens of the Temple district, the palace. This last was the city's crown and southern border. Beyond it, the royal forest stretched for leagues. It was not as lovely as Berat nor as colorful as Udayapur, but it was Alanna's place.

Tamora Pierce
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The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines-being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.

George Orwell, Animal Farm
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