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“Before I became a suspense novelist, I wrote romantic suspense as Alicia Scott.”
Lisa Gardner“There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean. We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!" In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”
Alfred Hitchcock“But suspense presupposes uncertainty. No matter how nightmarish the situation, real suspense is impossible when we know in advance that the protagonist will prevail (as we would if Woolrich had used series characters) or will be destroyed. This is why, despite his congenital pessimism, Woolrich manages any number of times to squeeze out an upbeat resolution. Precisely because we can never know whether a particular novel or story will be light or dark, allegre or noir, his work remains hauntingly suspenseful.("Introduction")”
Francis M. Nevins Jr., Night and Fear: A Centenary Collection of Stories by Cornell Woolrich“Real suspense comes with moral dilemma and the courage to make and act upon choices. False suspense comes from the accidental and meaningless occurrence of one damned thing after another.”
John Gardner“Surprise is when a prime minister is assassinated during his speech. Suspense is when an assassin lurks while the prime minister speaks. Balancing surprise and suspense is the job of the thriller writer.”
Ashwin Sanghi“Somehow I could lose myself in the ocean the same way I could lose myself in a good book. Maybe it was because both involved suspension--a suspension of weight, a suspension of disbelief--a willingness to surrender to something greater than oneself.”
Eve Marie Mont, A Breath of Eyre“Romantic Suspense, we love you so. You make us cringe, and give us hope. Sometimes we lust, sometimes we cry, But in the end, you make us sigh.”
Maureen A. Miller