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I always say that anybody who’s single ― like Sara ― their love is the most intense love. The heartbreak they’re enduring is the most intense heartbreak. We cannot understand what Sara’s going through. When it’s love, it’s my love, you can’t understand it. You can’t compare. But I really related to where Sara was on this record. When she was writing these songs and coming to me like: You don’t understand, I was like: You’re right, but I also do.

Tegan Quin
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Grady’s a man of action who craves excitement and needs plenty of activity, and he’s seen precious little of either in the ten or so years he’s been our sheriff. Well, let’s just say that since Candi Heart came to town, he’s had plenty to keep him busy, what with the stream of crimes that follows her around. And then there’s the mystery surrounding the woman herself. Suffice to say, Candi’s not quite what she appears and leave it at that.

Deborah Grace Staley, What The Heart Wants
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This particular song’s just something that’s been floating around inside me for a long time,” Tate went on. “Is she the one who got away? Yeah. She is. But it’s because she got away that I—that we,” he clarified, “are all here now.” “How do you mean?” the interviewer asked. Tate was silent for several heartbeats, then said, “When I met her, I was playing ball. She knew I wasn’t that good. But she also saw a talent in me I didn’t even know I had. She’s the one who encouraged my music. I lost her after that summer, but it’s because I lost her that Kendrick was even formed. So yeah, she is ‘Everything.’ She’s everything I have and everything I’m missing.” “Would it be safe to assume you work as hard as you do because you’re trying to prove to her what she’s missing?” the interviewer asked. “No,” Tate answered. “Not really.” “That’s a load of crap,” someone muttered in the background. “Okay,” Tate said louder. “Maybe it’s a little true. Did I hope she’d one day hear one of these songs about her and call me up? Sure. I think that’s the whole point of tracks like this. That there’s hope. I mean, that’s what life’s really about, right? Without hope, what the hell does a person have?”“A lot of”—BEEP—“ing fun,” Jace interjected.

Elisabeth Naughton, All He Wants for Christmas
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Who’s winning?”“I don’t have a f*cking clue nor do I f*cking care.”Echo’s head ticks back.“Back off, Beth.” I cross the room, drop a kiss on the curve of Echo’s neck and whisper in her ear, “She’d rip me to pieces, too, right now. She’s a b*tch when the Yankees play.”Her eyebrows rise. “Is she a Red Sox fan?”Isaiah chuckles and we both throw him a glare, but he doesn’t notice as he’s absorbed in a car manual.“Beth hates baseball.”Echo’s eyes dart from Beth to the television to me then she waves her hand in the air for an explanation.“She watches,” I explain. “Yankees only. It’s what she does and there are some things we don’t question about each other.”“Just the Yankees?” Echo whispers.“Just the Yankees,” I repeat.“And she hates baseball?”“With a passion.”“That’s...” Echo says in a hushed tone. “That’s messed up.

Katie McGarry, Breaking the Rules
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A girl who travels has learned how to dance barefoot. She’s learned to place her toes in the sand and dance through rhythm, not through rehearsed footwork. She’s learned to follow what she likes, not what she needs to like.

lauren klarfeld
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WL’s [White Liberals] think all the world’s problems can be fixed without any cost to themselves. We don’t believe that. There’s a lot to be said for sacrifice, remorse, even pity. It’s what separates us from roaches

Paul Farmer, Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, A Man Who Would Cure the World
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The hills and mountains on your ways are going to be removed. But remember that’s what should happen when God gives you the shovel. Use your gifts

it’s the escape route!
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That’s very trusting.” Iris watches Anke search our backpacks.“We’re saving people’s lives. We thought we could be,”Anke says. I’m more fixated on her arm in my backpack than on what she’s saying, though. That bag is nearly empty, but it’s mine. She’s messing it up. Her hands might not even be clean.When she does stop, I immediately wish she hadn’t. “Denise,” she says, “I need to search your bed next.”My gaze flicks to my pillow. “I. I. Could I.”“She doesn’t like people touching her bed.” Iris stands, guarding me.“You’re touching it,” Captain Van Zand’s brother says.Iris shoots him a withering look. “I sat at the foot, which is the only place that’s OK for even me to touch, and I’m her sister.”Anke’s sigh sounds closer to a hiss. “Look, we have more rooms to search.”I squirm. No. Not squirm. I’m rocking. Back and forth. “Wait,” I say.“You can’t—” Iris goes on.“Just ’cause she’s too precious to—” the man argues.“Wait,” I repeat, softer this time, so soft that I’m not even sure Iris hears it. “Can I, can I just, wait. I can lift the sheets and mattress myself. You can look. Right? Is that good? Right? Is that good? If I lift them?” I force my jaw shut.No one says anything for several moments. I can’t tell if Anke is thinking of a counterargument or if she really is trying to make this work. Her lips tighten. “OK. If you listen to my instructions exactly.”“You’re indulging her?” Captain Van Zand’s brother says. “She’s just being difficult. Have you ever seen an autistic kid? Trust me, they’re not the kind to take water scooters into the city like she did.”“Denise, just get it done,” Anke snaps.I don’t stand until they’re far enough away from the bed, as if they might jump at me and touch the bed themselves regardless. I blink away tears. It’s dumb, I know that—I’m treating Anke’s hands like some kind of nuclear hazard—but this is my space, mine, and too little is left that’s mine as is. I can’t even face Iris. With the way she tried to help, it feels as though I’m betraying her by offering this solution myself.I keep my head low and follow Anke’s orders one-handed. Take off both the satin and regular pillowcases, show her the pillow, shake it (although I tell her she can feel the pillow herself: that’s OK, since the pillowcases will cover it again anyway)—lift the sheets, shake them, lift the mattress long enough for her to shine her light underneath, let her feel the mattress (which is OK, too, since she’s just touching it from the bottom) . . .They tell us to stay in our room for another hour.I wash my hands, straighten the sheets, wash my hands again, and wrap the pillow in its cases.“That was a good solution,” Iris says.“Sorry,” I mutter.“For what?”Being difficult. Not letting her help me. I keep my eyes on the sheets as I make the bed and let out a small laugh.

Corinne Duyvis, On the Edge of Gone
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Some years ago, there was a lovely philosopher of science and journalist in Italy named Giulio Giorello, and he did an interview with me. And I don’t know if he wrote it or not, but the headline in Corriere della Sera when it was published was "Sì, abbiamo un'anima. Ma è fatta di tanti piccoli robot – "Yes, we have a soul, but it’s made of lots of tiny robots." And I thought, exactly. That’s the view. Yes, we have a soul, but in what sense? In the sense that our brains, unlike the brains even of dogs and cats and chimpanzees and dolphins, our brains have functional structures that give our brains powers that no other brains have - powers of look-ahead, primarily. We can understand our position in the world, we can see the future, we can understand where we came from. We know that we’re here. No buffalo knows it’s a buffalo, but we jolly well know that we’re members of Homo sapiens, and it’s the knowledge that we have and the can-do, our capacity to think ahead and to reflect and to evaluate and to evaluate our evaluations, and evaluate the grounds for our evaluations.It’s this expandable capacity to represent reasons that we have that gives us a soul. But what’s it made of? It’s made of neurons. It’s made of lots of tiny robots. And we can actually explain the structure and operation of that kind of soul, whereas an eternal, immortal, immaterial soul is just a metaphysical rug under which you sweep your embarrassment for not having any explanation.

Daniel C. Dennett
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Dee checks to make sure his mic is turned off. ‘It’s not about common sense.’ Dee surveys the crowd with some pride.Dum also checks to make sure his mic is off. ‘It’s not about logic or practicality or anything that makes a remote amount of sense.’ He sports a wide grin.‘That’s the whole point of a talent show,’ says Dee, doing a spin onstage. ‘It’s illogical, chaotic, stupid, and a whole hell of a lot of fun.’ Dee nods to Dum. ‘It’s what sets us apart from monkeys. What other species puts on talent shows?

Susan Ee, End of Days
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