Wistfulness Quotes

“I hope to depart in no other way than looking back with love and wistfulness and thinking, oh paintings that I would have made..”

“She bit her lower lip hard and blinked her eyes. There was such wistfulness and longing in his voice. Oh, she was going to give him back his eyes, or the next best thing, if it took her the rest of her life to do it.”

“She didn't say anything, just a long, quiet "shhhh," as if she had learned that the troubles of the world could be absorbed and deafened by slow, steady wistfulness, and I suddenly understood that she'd been silencing the noise for the past twenty years.”

“This memory was both happy and sad: happy because it was so pleasant, and sad because it made Penelope think about how much she missed Swanburne--the girls, the teachers, Miss Mortimer. Or perhaps it was her own much younger self, that pint-sized person whom she could never be again, whom she missed. It was hard to say.”

“She was a very pretty woman. She had dark red hair and her eyes -- her eyes are just like mine, Harry thought, edging a little closer to the glass. Bright green -- exactly the same shape, but then he noticed that she was crying; smiling, but crying at the same time. The tall, thin, black-haired man standing next to her put his arm around her. He wore glasses, and his hair was very untidy. It stuck up at the back, just like Harry's did.Harry was so close to the mirror now that his nose was nearly touching that of his reflection."Mum?" he whispered. "Dad?"They just looked at him, smiling. And slowly, Harry looked into the faces of the other people in the mirror and saw other pairs of green eyes like his, other noses like his, even a little old man who looked as though he had Harry's knobbly knees -- Harry was looking at his family, for the first time in his life.The Potters smiled and waved at Harry and he stared hungrily back at them, his hands pressed flat against the glass as though he was hoping to fall right through it and reach them. He had a powerful kind of ache inside of him, half joy, half terrible sadness.”

“These aren't still shots; the camera is always moving. And the scene is always just slipping out of sight, as if in spite of myself I were always descending a hill, rounding a corner, stepping into the street with a companion who urges me on, while I look back over my shoulder at the sight which recedes, vanishes. The present of my consciousness is itself a mystery which is also always just rounding a bend like a floating branch borne by a flood. Where am I? But I'm not. "I will overturn, overturn, overturn, it: and it shall be no more. . . .”