Women in shakespeare s plays Quotes

“That one has to be playing in order to be playing a game seems equally implausible. When professional athletes are performing in assigned games for wages, although they are certainly playing games, we are not at all inclined to conclude from that fact that they are without qualification playing. For we think of professional athletes as working when they play their games and as playing when they go home from work to romp with their children.”

“There is work that is work and there is play that is play”

“By manipulating the physical configuration of [any situation], you make it produce a subset of the infinite pattern of [possibilities]. And even if you don't know how to play [above situation], you can still play with it.”

“Play hard. Play, play, play like your life depends on it. Because it does.”

“When you play, play hard; when you work, don't play at all.”

“Our point of departure must be the conception of an almost childlike play-sense expressing itself in various play-forms, some serious, some playful, but all rooted in ritual and productive of culture by allowing the innate human need of rhythm, harmony, change, alternation, contrast and climax, etc., to unfold in full richness.”

“A finite game is played for the purpose of winning, an infinite game for the purpose of continuing the play.”

“Through play, children experience a greater confidence in their bodies, surroundings and themselves. They become familiar with what they can and cannot do.”

“Even the most outspoken of the critics must admit that long before we had print and film media to "spread the word," mankind was engaged in all forms of cruel and despicable behavior. To attribute war, killing, and violence to film, TV, and role-play games is to fly in the face of thousands of years of recorded history.”

“[Talking about Othello] His dying words are about the service he has done to the state -not what he has done to Desdemona. (...) He acknowledges not love but the power structure (...). Othello believes his fellow officer [Iago] rather than his wife, believes death is suitable punishment for infidelity (...).It makes me uneasy that we so easily state that Othello is a play about race. Race is one of its ingredients, but the most pervasive subject that Shakespeare is tackling is sexism. The two women [Desdemona and Emilia, Iago's wife] end up dead. Bianca, the third woman in the play, Cassio's mistress, ends up in jail for something she never did, and nobody bothers to get her out. Iago, the symbol of evil, remains alive. Brabantio, Desdemona's father, dies of a broken heart because of his daughter's disobedience. And everyone is very regretful about what has happened. But no one, other than Emilia, has pointed out that there is a terrible double standard, something rotten in the system itself.”