“Although it was autumn and not summer the dark-gold sunlight and the inky shadows, long and slender in the shape of felled cypresses, were the same, and there was the same sense of everything drenched and jewelled and the same ultramarine glitter on the sea. I felt inexplicably lightened; it was as if the evening, in all the drench and drip of its fallacious pathos, had temporarily taken over from me the burden of grieving.”

“How flat all sounds are at the seaside, flat and yet emphatic, like the sound of gunshots heard at a distance.”

“Still the dream persists, suppressed but always there, that somehow by some miraculous effort of the heart what was done could be undone. What form would such atonement take that would turn back time and bring the dead to life? None. None possible, not in the real world. And yet in my imaginings I can clearly see this cleansed new creature steaming up out of myself like a proselyte rising drenched from the baptismal river amid glad cries.”

“Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say a shocking, realization. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have truly wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky’s indifferent gaze and the harsh air’s damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.”

“I'm a hopeless 19th-century romantic.”

“For memory, we use our imagination. We take a few strands of real time and carry them with us, then like an oyster we create a pearl around them.”

“You know, artists don't really have all that much experience of life. We make a huge amount out of the small experience that we do have.”

“I'm full of self-doubt. I doubt everything I do. Everything I do is a failure.”

“When I started writing, I was a great rationalist and believed I was absolutely in control. But the older one gets, the more confused, and for an artist I think that is quite a good thing: you allow in more of your instinctual self; your dreams, fantasies and memories. It's richer, in a way.”

“Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.”

“What I was afraid of was my own grief, the weight of it, the ineluctable corrosive force of it, and the stark awareness I had of being, for the first time in my life, entirely alone, a Crusoe shipwrecked and stranded in the limitless wastes of a boundless and indifferent ocean.”