“And if I am comfortable with it, why do I still call it loneliness? Because--and I think somehow she would understand this--you can have and recognize a sadness in your alienation and in other people's alienation and still not long to be around anyone. I think that if you wonder about other people's loneliness, or contemplate it at all, you've got a real leg up on being comfortable on your own.”

“And if I am comfortable with it, why do I still call it loneliness? Because--and I think somehow she would understand this--you can have and recognize a sadness in your alienation and in other people's alienation and still not long to be around anyone. I think that if you wonder about other people's loneliness, or contemplate it at all, you've got a real leg up on being comfortable on your own.”

“I'm thinking about past events. I'm interested in recall, exact recall, of what was said, who said it and to whom. I want to know the truth, undistorted by time and revision and wishes and regrets.”

“That is the thing about films. They don't change. You change. The immutability of the film (or a book or a painting or a piece of music) is something to measure yourself against. That is one of the things a great work of art does. It stays there waiting for you to come back to it, and it shows you who you are now, each time a little different.”

“And if I am comfortable with it, why do I still call it loneliness? Because--and I think somehow she would understand this--you can have and recognize a sadness in your alienation and in other people's alienation and still not long to be around anyone. I think that if you wonder about other people's loneliness, or contemplate it at all, you've got a real leg up on being comfortable on your own.”

“The issue isn't, Am I good enough? No. The issue is, Do I not have any other choice? Will and desire don't matter. Ability doesn't matter. Need is the only thing that matters.”