“And we, from within the sigh of the trees, and the soft moss underfoot, and the calling of night birds, watched him as he watched, gazing where he should not.”

“And we, from within the sigh of the trees, and the soft moss underfoot, and the calling of night birds, watched him as he watched, gazing where he should not.”

“We are the voices in the shadows,Between the light and shade,Betwixt life and restful death,In the dark periphery of the unseen.We’re here, At the edges. We are the villainous punished,The innocent murdered or abandoned,Our lives ended by foul means, or unspeakable deeds.We are your lovers long gone; your siblings forsaken.Can you hear us?At the edgesFrom the Foreword of Cautionary Tales - by Emmanuelle de Maupassant”

“Here, at the edges,Whispering to you,And we’re not alone; not aloneHere, in the dark.We are behind the door, in the corners,In the room where you’ve just extinguished the light.We flicker in the shadow you cast on the wall.We are the prickle on the back of your neck.Curled, in words unspoken,We are the shiver on your uneasy flesh,The creep of the unknown on your skin.Can you feel us?Here, at the edges.From the Foreword of Cautionary Tales - by Emmanuelle de Maupassant”

“She first peered into its fascinating cases of beetles and butterflies at the age of six, in the company of her father. She recalls her pity at each occupant pinned for display. It was no great leap to draw the same conclusion of ladies: similarly bound and trussed, pinned and contained, with the objective of being admired, in all their gaudy beauty.”

“MacCaulay clutches his coat tightly and makes towards the elaborate iron gates of the park. He hurries past Apsley House: one time residence of the ‘hero of a hundred fights’ – the Duke of Wellington. His monument to his own great deeds stands yet in front of the drawing room windows. If he had, in modesty, forgotten his own greatness, he might have looked upon it, and been reminded.”

“The cold is waiting to ooze through the soles of your shoes. Maggot-damp, this city is festering: home to hollow faces of grey flesh. They stare from windows unclean, into the sun never reaches: dismal lives lived in dismal constriction.”

“There is no joy greater than the triumph of living.”

“And we, from within the sigh of the trees, and the soft moss underfoot, and the calling of night birds, watched him as he watched, gazing where he should not.”

“Listen,listen with your eyes,and your lips.Listen with your skin, and your blood.Can you hear us,at the edges?”

“Ha!’ cackled the fiend, ‘I expect you’d like revenge on that husband of yours. Murder shouldn’t go unpunished, and no creature enjoys delivering chastisement as much as I. What about giving him a taste of his own medicine? If you’d be so kind as to lend me your body, I’ll set him dancing to my tune.’The wife’s spectre grimaced and nodded, at which the wicked Likho stripped off the nightgown, then the dead woman’s pliant skin, peeling back the flaccid folds. These it left in a slack heap. It gobbled her flesh and sucked the bones clean. These it hid behind the stove, before inserting itself inside the empty, wrinkled carcass, taking the former position of the corpse. Its fat tongue swiped the last juices from around its lips.When the husband returned home, all was as it had been; there was not a speck of blood to be seen, although the strangest smell of rotten eggs lingered”

“Good and evil exist in all of us. a moment’s temptation takes us on a wrong path. On that path may lurk foul fiends,inhuman, yet feeding, needingall our weaknesses: vanity, indolence and envy,Easy fruits for evil appetites,our flesh, a tasty afterthought,our bones flung asunder.”