“And when she at last came out, her eyes were dry. Her parents stared up from their silent breakfast at her. They both started to rise but she put a hand out, stopped them. ‘I can care for myself, please,’ and she set about getting some food. They watched her closely. In point of fact, she had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, and an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering. She was eighteen. She was the most beautiful woman in a hundred years. She didn’t seem to care. ‘You’re all right?’ her mother asked. Buttercup sipped her cocoa. ‘Fine,’ she said. ‘You’re sure?’ her father wondered. ‘Yes,’ Buttercup replied. There was a very long pause. ‘But I must never love again.’ She never did.”

“You don't want to be rude but you have to be careful - there are a lot of strange people out there.(Goldman attributes this quote to Cliff Robertson.)”

“I must be overtired', Buttercup managed. 'The excitement and all.''Rest then', her mother cautioned. 'Terrible things can happen when you're overtired. I was overtired the night your father proposed.”

“The hollowness was in his arms and the world was snowing.”

“The Princess BrideS. Morgenstern'sClassic Tale of True Loveand High AdventureYou had to admire a guy who called his own new book a classic before it was published and anyone had a chance to read it.”

“Life is pain, highness. Anyone who says differently is selling something.”

“Her heart was a secret garden and the walls were very high.”

“Funny thing- Morgenstern's folk's were named Max and Valerie and his father was a doctor.”

“Screenplays are structure, and that’s all they are. The quality of writing—which is crucial in almost every other form of literature—is not what makes a screenplay work. Structure isn’t anything else but telling the story, starting as late as possible, starting each scene as late as possible. You don’t want to begin with “Once upon a time,” because the audience gets antsy.”

“Love is many things, none of them logical.”

“Give the reader what they want, just not the way they expect it.”