As de Saussure said, risk-taking brings with it its own reward: it keeps a "continual agitation alive" in the heart. Hope, fear. Hope, fear - this is the fundamental rhythm of mountaineering. Life, it frequently seems in the mountains, is more intensely lived the closer one gets to its extinction: we never feel so alive as when we have nearly died.

As de Saussure said, risk-taking brings with it its own reward: it keeps a "continual agitation alive" in the heart. Hope, fear. Hope, fear - this is the fundamental rhythm of mountaineering. Life, it frequently seems in the mountains, is more intensely lived the closer one gets to its extinction: we never feel so alive as when we have nearly died.

Robert Macfarlane
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a walk is only a step away from a story, and every path tells.

Robert Macfarlane
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Books , like landscapes, leave their marks in us. (...) Certain books, though, like certain landscapes, stay with us even when we left them, changing not just our weathers but our climates.

Robert Macfarlane, Landmarks
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The word "landmark" is from the old English "landmearc", meaning 'an object in the landscape which, by its conspicuousness, serves as a guide in the direction of one's course.

Robert Macfarlane, Landmarks
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As de Saussure said, risk-taking brings with it its own reward: it keeps a "continual agitation alive" in the heart. Hope, fear. Hope, fear - this is the fundamental rhythm of mountaineering. Life, it frequently seems in the mountains, is more intensely lived the closer one gets to its extinction: we never feel so alive as when we have nearly died.

Robert Macfarlane, Mountains of the Mind: A History of a Fascination
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For pilgrims walking...every footfall is doubled, landing at once on the actual road and also on the path of faith.

Robert Macfarlane, The Old Ways: A Journey on Foot
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Humans are animals and like all animals we leave tracks as we walk: signs of passage made in snow, sand, mud, grass, dew, earth or moss.... We easily forget that we are track-markers, through, because most of our journeys now occur on asphalt and concrete--and these are substances not easily impressed.

Robert Macfarlane, The Old Ways: A Journey on Foot
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We tend to think of landscapes as affecting us most strongly when we are in them or on them, when they offer us the primary sensations of touch and sight. But there are also the landscapes we bear with us in absentia, those places that live on in memory long after they have withdrawn in actuality, and such places -- retreated to most often when we are most remote from them -- are among the most important landscapes we possess.

Robert Macfarlane, The Old Ways: A Journey on Foot
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From my heel to my toe is a measured space of 29.7 centimetres or 11.7 inches. This is a unit of progress and it is also a unit of thought. 'I can only meditate when I am walking,' wrote Jean-Jacques Rousseau in the fourth book of his 'Confessions', 'when I stop I cease to think; my mind only works with my legs.' Søren Kierkegaard speculated that the mind might function optimally at the pedestrian pace of three miles per hour, and in a journal entry describes going out for a wander and finding himself 'so overwhelmed with ideas' that he 'could scarcely walk'. Christopher Morley wrote of Wordsworth as 'employ[ing] his legs as an instrument of philosophy' and Wordsworth of his own 'feeling intellect'. Nietzsche was typically absolute on the subject - 'Only those thoughts which come from 'walking' have a value' - and Wallace Stevens typically tentative: 'Perhaps / The truth depends on a walk around the lake.' In all of these accounts, walking is not the action by which one arrives at knowledge; it is itself the means of knowing.

Robert Macfarlane, The Old Ways: A Journey on Foot
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The compact between writing and walking is almost as old as literature -- a walk is only a step away from a story, and every path tells.

Robert Macfarlane, The Old Ways: A Journey on Foot
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Those who travel to mountain-tops are half in love with themselves, and half in love with oblivion.

Robert Macfarlane, Mountains of the Mind: A History of a Fascination
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