“At the behest of the criterion of authenticity, much that was once thought to make up the very fabric of culture has come to seem of little account, mere fantasy or ritual, or downright falsification. Conversely, much that culture traditionally condemned and sought to exclude is accorded a considerable moral authority by reason of the authenticity claimed for it, for example, disorder, violence, unreason.”

“Every neurosis is a primitive form of legal proceeding in which the accused carries on the prosecution, imposes judgment and executes the sentence: all to the end that someone else should not perform the same process.”

“The function of literature, through all its mutations, has been to make us aware of the particularity of selves, and the high authority of the self in its quarrel with its society and its culture. Literature is in that sense subversive.”

“The poet may be used as a barometer, but let us not forget that he is also part of the weather.”

“What marks the artist is his power to shape the material of pain we all have.”

“A primary function of art and thought is to liberate the individual from the tyranny of his culture in the environmental sense and to permit him to stand beyond it in an autonomy of perception and judgment.”

“We who are liberal and progressive know that the poor are our equals in every sense except that of being equal to us.”

“Probably it is impossible for humor to be ever a revolutionary weapon. Candide can do little more than generate irony.”

“It is now life and not art that requires the willing suspension of disbelief.”

“Orwell clung with a kind of wry, grim pride to the old ways of the last class that had ruled the old order. He must sometimes have wondered how it came about that he should be praising sportsmanship and gentlemanliness and dutifulness and physical courage. He seems to have thought, and very likely he was right, that they might come in handy as revolutionary virtues.”

“consistent affection for his characters is what sets Tolstoy apart. Flaubert is equally “objective,” he says, but “Flaubert’s objectivity is charged with irritability and Tolstoy’s with affection. For Flaubert everyone and everything is somehow at fault. For Tolstoy everyone and everything has a saving grace.”“By loving people without cause, he discovered indubitable causes for loving them.” It would be hard to find a more succinct description of the chief work of the Holy Spirit in the human heart.”