Christina Engela Quotes

“Where would tourism be without a little luxury and a taste of night life? There were several cities on Deanna, all moderate in size, but the largest was the capital, Atro City. For the connoisseur of fast-foods, Albrechts’ famous hotdogs and coldcats were sold fresh from his stall (Albrecht’s Takeaways) on Lupini Square. For the sake of his own mental health he had temporarily removed Hot Stuff Blend from the menu. The city was home to Atro City University, which taught everything from algebra and make-up application to advanced stamp collecting; and it was also home to the planet-famous bounty hunter – Beck the Badfeller. Beck was a legend in his own lifetime. If Deanna had any folklore, then Beck the Badfeller was one of its main features. He was the local version of Robin Hood, the Davy Crockett of Deanna. The Local rumor mill had it he was so good he could find the missing day in a leap year. Once, so the story goes, he even found a missing sock.”

“If a man devotes himself to art, much evil is avoided that happens otherwise if one is idle.”

“What beauty is, I know not, though it adheres to many things.”

“Sane judgment abhors nothing so much as a picture perpetrated with no technical knowledge, although with plenty of care and diligence.”

“The artist is chosen by God to fulfill his commands and must never be overwhelmed by public opinion.”

“My father suffered much and toiled painfully all his life, for he had no resources other than the proceeds of his trade from which to support himself and his wife and family.”

“Truly, art is embedded in nature; he who can extract it, has it.”

“I've been strongly influenced, in technique as well as subject matter, by some of the early 20th-century book illustrators — Arthur Rackham and Edmund Dulac in particular, Burne-Jones and other Pre-Raphaelites, and the Arts-&-Crafts movement they engendered. I'm continually inspired by Rembrandt, Breughel (I've wondered whether his brilliant "Tower of Babel" had inspired Tolkien's description of Minas Tyrith), Hieronymous Bosch, Albrecht Durer, and Turner; it's not necessarily that they influence my work in any particular direction, more that their example raises my spirits, re-affirms my belief in the power of images to move and delight us, and shows me how much further I have to go, how much is possible. Having visited Venice and Florence for the first time, I am besotted with the Italian Renaissance artists — Botticelli, Bellini, da Vinci and others. Their work is calm, controlled, and yet each face and landscape contains such passion. In Botticelli's paintings, every pebble and every leaf is rendered with a religious devotion; there is reverence inherent in paying such close attention to every stone, turning painting itself into a form of worship, an act of prayer.”

“The Apple Orchard Come let us watch the sun go downand walk in twilight through the orchard's green.Does it not seem as if we had for longcollected, saved and harbored within usold memories? To find releases and seeknew hopes, remembering half-forgotten joys,mingled with darkness coming from within,as we randomly voice our thoughts aloudwandering beneath these harvest-laden treesreminiscent of Durer woodcuts, brancheswhich, bent under the fully ripened fruit,wait patiently, trying to outlast, toserve another season's hundred days of toil,straining, uncomplaining, by not breakingbut succeeding, even though the burdenshould at times seem almost past endurance.Not to falter! Not to be found wanting!Thus must it be, when willingly you strivethroughout a long and uncomplaining life,committed to one goal: to give yourself!And silently to grow and to bear fruit.”

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