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“There is not one big cosmic meaning for all; there is only the meaning we each give to our life, an individual meaning, an individual plot, like an individual novel, a book for each person.”
Anaïs Nin“There is not one big cosmic meaning for all; there is only the meaning we each give to our life, an individual meaning, an individual plot, like an individual novel, a book for each person.”
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934“The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure.”
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934“I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
Anaïs Nin“Our life is composed greatly from dreams, from the unconscious, and they must be brought into connection with action. They must be woven together. ”
Anaïs Nin“In chaos, there is fertility.”
Anaïs Nin“Out of worship and out of love he would let no one light the stove for her either, as if he would be the warmth and the fire to dry and warm her feet.”
Anaïs Nin“They had reached a perfect moment of human love. They had created a moment of perfect understanding and accord. This highest moment would now remain as point of comparison to torment them later on when all natural imperfections would disintegrate it.”
Anaïs Nin“We write to taste life twice, in the moment and in retrospect.”
Anaïs Nin“They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy.”
Anaïs Nin“I must be a mermaid, Rango. I have no fear of depths and a great fear of shallow living.”
Anaïs Nin