Robert Kolker Quotes

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A basic premise of Expressionism was that mise-en-scène - the visual space of the film (as well as of fiction, theatrical presentation, and painting) - should express the stressed psychological state of either its main character, or more universally, the culture at large. Edvard Munch's painting The Scream (1893) best exemplifies this effect, though it actually predates and influenced the Expressionist movement. This painting of a figure on a bridge, standing in front of a violent multicolored sky, hands held up in anxiety and terror, is a dominant image for the twentieth century. It encapsulates the Expressionist desire to make the world a reflection of the interior anguish it has caused.

Robert Kolker
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A basic premise of Expressionism was that mise-en-scène - the visual space of the film (as well as of fiction, theatrical presentation, and painting) - should express the stressed psychological state of either its main character, or more universally, the culture at large. Edvard Munch's painting The Scream (1893) best exemplifies this effect, though it actually predates and influenced the Expressionist movement. This painting of a figure on a bridge, standing in front of a violent multicolored sky, hands held up in anxiety and terror, is a dominant image for the twentieth century. It encapsulates the Expressionist desire to make the world a reflection of the interior anguish it has caused.

Robert Kolker, Film form and Culture
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I crawled in a spirit-haunted placeMade wild by souls that moan and mourn;And Death leered by with mangled face -Ah God! I prayed, I prayed for dawn.

Arthur Newberry 1893- Choyce, Memory Poems of War and Love
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Fire In The HeavensFire in the heavens, and fire along the hills,and fire made solid in the flinty stone,thick-mass'd or scatter'd pebble, fire that fillsthe breathless hour that lives in fire alone.This valley, long ago the patient bedof floods that carv'd its antient amplitude,in stillness of the Egyptian crypt outspread,endures to drown in noon-day's tyrant mood.Behind the veil of burning silence bound,vast life's innumerous busy littlenessis hush'd in vague-conjectured blur of soundthat dulls the brain with slumbrous weight, unlesssome dazzling puncture let the stridence throngin the cicada's torture-point of song.

Christopher John Brennan, XXI Poems, 1893, 1897: Towards the Source
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Some persons fancy that bias and counter-bias are favorable to the extraction of truth–that hot and partisan debate is the way to investigate. This is the theory of our atrocious legal procedure. But Logic puts its heel upon this suggestion. It irrefragably demonstrates that knowledge can only be furthered by the real desire for it, and that the methods of obstinacy, of authority and every mode of trying to reach a foregone conclusion, are absolutely of no value. These things are proved. The reader is at liberty to think so or not as long as the proof is not set forth, or as long as he refrains from examining it. Just so, he can preserve, if he likes, his freedom of opinion in regard to the propositions of geometry; only, in that case, if he takes a fancy to read Euclid, he will do well to skip whatever he finds with A, B, C, etc., for, if he reads attentively that disagreeable matter, the freedom of his opinion about geometry may unhappily be lost forever.

Charles Sanders Peirce, The Essential Peirce: Selected Philosophical Writings Volume 1: 1867-1893
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Arthur without Excalibur was still Arthur.

Kendare Blake, Anna Dressed in Blood
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So endeth the story of the winning of Excalibur, and may God give unto you in your life, that you may have His truth to aid you, like a shining sword, for to overcome your enemies; and may He give you Faith (for Faith containeth Truth as a scabbard containeth its sword), and may that Faith heal all your wounds of sorrow as the sheath of Excalibur healed all the wounds of him who wore that excellent weapon. For with Truth and Faith girded upon you, you shall be as well able to fight all your battles as did that noble hero of old, whom men called King Arthur.

Howard Pyle, The Story of King Arthur and His Knights
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It comes from a very ancient democracy, you see...""You mean, it comes from a world of lizards?""No," said Ford, who by this time was a little more rational and coherent than he had been, having finally had the coffee forced down him, "nothing so simple. Nothing anything like so straightforward. On its world, the people are people. The leaders are lizards. The people hate the lizards and the lizards rule the people.""Odd," said Arthur, "I thought you said it was a democracy.""I did," said Ford. "It is.""So," said Arthur, hoping he wasn't sounding ridiculously obtuse, "why don't people get rid of the lizards?""It honestly doesn't occur to them," said Ford. "They've all got the vote, so they all pretty much assume that the government they've voted in more or less approximates to the government they want.""You mean they actually vote for the lizards?""Oh yes," said Ford with a shrug, "of course.""But," said Arthur, going for the big one again, "why?""Because if they didn't vote for a lizard," said Ford, "the wrong lizard might get in. Got any gin?""What?""I said," said Ford, with an increasing air of urgency creeping into his voice, "have you got any gin?""I'll look. Tell me about the lizards."Ford shrugged again."Some people say that the lizards are the best thing that ever happenned to them," he said. "They're completely wrong of course, completely and utterly wrong, but someone's got to say it.""But that's terrible," said Arthur."Listen, bud," said Ford, "if I had one Altairian dollar for every time I heard one bit of the Universe look at another bit of the Universe and say 'That's terrible' I wouldn't be sitting here like a lemon looking for a gin.

Douglas Adams, So Long, and Thanks for All the Fish
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There was something about him that drove the shyness out of you, a kind of understanding that went deeper than words and set up an instantaneous closeness. It was odd; we couldn’t have been more different. Arthur Gordon

Arthur Gordon
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We are racing down Main Street. Arthur is right on the tail of a blck sedan with tinted windows that won't pull over. He slams the horn."Arthur," I say.The car doesn't yield."Arthur," I say.He hits the horn again, still close on the car's bummper."Arthur, our turn was back there.

Peter Canning
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("we appreciated the intricately thought-out, detailed universe you've created for your story." ~Arthur A. Levine Books (publishers of The Harry Potter series.)) about my book!

Arthur A. Levine books
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