Bas Rutten Quotes

“I knew everything in the forest. I had a secret home tree, where I pretty much lived. I also liked rooftops and streetlamps. My parents would get calls saying 'He's out there again.'”

“I knew everything in the forest. I had a secret home tree, where I pretty much lived. I also liked rooftops and streetlamps. My parents would get calls saying 'He's out there again.'”

“Agape is the concrete commitment to the flourishing of someone or something outside of oneself. Even and perhaps especially when that flourishing, hence the joy, is threatened.”

“For such a worldly, surly bastard, Bas had always been incredibly innocent. Always seen the best in people.”

“Duct tape can't fix stupid," Bas growled. "Maybe not," Red replied, "but it can hold it down and muffled the screams.”

“Trying to understand man without recognizing him as imago Dei is like trying to understand a bas-relief without recognizing it as a carving.”

“Out of the closets and into the museums, libraries, architectural monuments, concert halls, bookstores, recording studios and film studios of the world. Everything belongs to the inspired and dedicated thief…. Words, colors, light, sounds, stone, wood, bronze belong to the living artist. They belong to anyone who can use them. Loot the Louvre! A bas l’originalité, the sterile and assertive ego that imprisons us as it creates. Vive le vol-pure, shameless, total. We are not responsible. Steal anything in sight.”

“Think of a globe, a revolving globe on a stand. Think of a contour globe, whose mountain ranges cast shadows, whose continents rise in bas-relief above the oceans. But then: think of how it really is. These heights are just suggested; they’re there….when I think of walking across a continent I think of all the neighborhood hills, the tiny grades up which children drag their sleds. It is all so sculptured, three-dimensional, casting a shadow. What if you had an enormous globe that was so huge it showed roads and houses- a geological survey globe, a quarter of a mile to an inch- of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about in earth, the molding of one face? The relief globe couldn’t begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live our their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.”

“victor hugo, Les Contemplations, MorsJe vis cette faucheuse. Elle était dans son champ. Elle allait à grands pas moissonnant et fauchant, Noir squelette laissant passer le crépuscule. Dans l'ombre où l'on dirait que tout tremble et recule, L'homme suivait des yeux les lueurs de la faulx.Et les triomphateurs sous les arcs triomphaux Tombaient ; elle changeait en désert Babylone, Le trône en échafaud et l'échafaud en trône, Les roses en fumier, les enfants en oiseaux,L'or en cendre, et les yeux des mères en ruisseaux. Et les femmes criaient : - Rends-nous ce petit être. Pour le faire mourir, pourquoi l'avoir fait naître ? -Ce n'était qu'un sanglot sur terre, en haut, en bas ; Des mains aux doigts osseux sortaient des noirs grabats ; Un vent froid bruissait dans les linceuls sans nombre ; Les peuples éperdus semblaient sous la faulx sombre Un troupeau frissonnant qui dans l'ombre s'enfuit ; Tout était sous ses pieds deuil, épouvante et nuit.Derrière elle, le front baigné de douces flammes, Un ange souriant portait la gerbe d'âmes.”

“Really, when I think it over, literature has only one excuse for existing; it saves the person who makes it from the disgustingness of life.”

“To love at a distance and without hope; never to possess; to dream chastely of pale charms and impossible kisses extinguished on the waxen brow of death: ah, that is something like it. A delicious straying away from the world, and never the return. As only the unreal is not ignoble and empty, existence must be admitted to be abominable. Yes, imagination is the only good thing which heaven vouchsafes to the skeptic and pessimist, alarmed by the eternal abjectness of life.”