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“You and I cannot afford to wait on the validation of others to get moving.”
Earlina Green“You and I cannot afford to wait on the validation of others to get moving.”
Earlina Green“You don't have to be broken to create something beautiful. You have to be willing.”
Earlina Green“Green strongly influences the heart and helps alleviate tension. Positive qualities associated with green are generosity, humility, and cooperation. Foods of the green vibration are all green fruits and green vegetables.”
Tae Yun Kim, The First Element: Secrets to Maximizing Your Energy“It's lovely to be going home and know it's home. I love green gables already, and I've never loved any place before. Oh, Marilla, I'm so happy.”
L.M. Montgomery, Anne of Green Gables“We'd never seen anything as green as these rice paddies. It was not just the paddies themselves: the surrounding vegetation - foliage so dense the trees lost track of whose leaves were whose - was a rainbow coalition of one colour: green. There was an infinity of greens, rendered all the greener by splashes of red hibiscus and the herons floating past, so white and big it seemed as if sheets hung out to dry had suddenly taken wing. All other colours - even purple and black - were shades of green. Light and shade were degrees of green. Greenness, here, was less a colour than a colonising impulse. Everything was either already green - like a snake, bright as a blade of grass, sidling across the footpath - or in the process of becoming so. Statues of the Buddha were mossy, furred with green.”
Geoff Dyer, Yoga for People Who Can't Be Bothered to Do It“Why do writers use symbolism?” Okay, so let’s say you have a headache and you wanna tell someone about it and you say, “I have a headache!” and other people are like, “Yeah, whatever. Everybody gets headaches.” But your headache is not a regular headache, it’s a serious headache, so you say, “My brain is on fire!” to try to help these people understand that this is a headache that needs attention! That’s a metaphor, right? And you use it so that you can be understood. Now let’s say you want to take those same imagistic principles but apply them to a much more complex idea than having a headache, like, for instance, the yearning that one feels for one’s dreams. And you can see the dream but you can’t cross the bay to get to the green light that embodies your dream. And you want to talk about how socio-economic class in America is a barrier – a bay-like barrier, some would say – that stands between you and the green light and makes that gap unbridgeable. Now, you can just talk about that stuff directly, but when you talk about it symbolically, it becomes more powerful, because instead of being abstract it becomes kind of observable…. So I think that’s why.”
John Green“The wide corridor up the centre of E Block was floored with linoleum the colour of tired old limes, and so what was the Last Mile at other prisons was called the Green Mile at Cold Mountain.”
Stephen King, The Green Mile“When his flock thronged into the midnight service, there was wonder on every face at the newly hung greens and the softly flickering candles on each windowsill. To the simple beauty of the historic church was added fresh, green hope, the lush scent of flowers in winter, and candle flame that cast its flickering shadows over the congregation like a shawl.”
Jan Karon, These High, Green Hills“And in the silence what followed, I reckon our eyes had some long conversation our mouths could’ve never talked through. Some long, looking talk about things gone and long since said. About cries out in the night and some long ago tangling of limbs. And about them betrayals done time and time again—by both of us—what led to me pointing the Green Man’s rifle at the man what once loved me under the Green Man’s stars.”
J.D. Jordan, Calamity: Being an Account of Calamity Jane and Her Gunslinging Green Man