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“What doesthis F. — I.W. mean?”“Initial-slang,” informed Baines. “Made correctby common usage. It has become a worldwidemotto. You’ll see it all over the place if you haven’tnoticed it already.”“I have seen it here and there but attached no importanceto it and thought nothing more about it. Iremember now that it was inscribed in several placesincluding Seth’s and the fire depot.”“It was on the sides of that bus we couldn’tempty,” put in Gleed. “It didn’t mean anything tome.”“It means plenty,” said Jeff. “Freedom — IWon’t!”“That kills me,” Gleed responded. “I’m stonedead already. I’ve dropped in my tracks.” Hewatched Harrison thoughtfully pocketing the plaque.“A piece of abracadabra. What a weapon!”“Ignorance is bliss,” asserted Baines, strangelysure of himself. “Especially when you don’t knowthat what you’re playing with is the safety catch ofsomething that goes bang.”“All right,” challenged Gleed, taking him up onthat. “Tell us how it works.”“I won’t.” Baines’ grin reappeared. He seemed tobe highly satisfied about something.“That’s a fat lot of help.” Gleed felt let down, especiallyover that momentary hoped-for reward.“You brag and boast about a one-way weapon, tossacross a slip of stuff with three letters on it and thengo dumb. Any folly will do for braggarts and anybraggart can talk through the seat of his pants. Howabout backing up your talk?”“I won’t,” repeated Baines, his grin broader thanever. He gave the onlooking Harrison a fat, significantwink.It made something spark vividly within Harrison’smind. His jaw dropped, he dragged the plaque fromhis pocket and stared at it as if seeing it for the firsttime.“Give it back to me,” requested Baines, watchinghim.Replacing it in his pocket, Harrison said veryfirmly, “I won’t.”Baines chuckled. “Some people catch on quicker than others.”
Eric Frank Russell“What doesthis F. — I.W. mean?”“Initial-slang,” informed Baines. “Made correctby common usage. It has become a worldwidemotto. You’ll see it all over the place if you haven’tnoticed it already.”“I have seen it here and there but attached no importanceto it and thought nothing more about it. Iremember now that it was inscribed in several placesincluding Seth’s and the fire depot.”“It was on the sides of that bus we couldn’tempty,” put in Gleed. “It didn’t mean anything tome.”“It means plenty,” said Jeff. “Freedom — IWon’t!”“That kills me,” Gleed responded. “I’m stonedead already. I’ve dropped in my tracks.” Hewatched Harrison thoughtfully pocketing the plaque.“A piece of abracadabra. What a weapon!”“Ignorance is bliss,” asserted Baines, strangelysure of himself. “Especially when you don’t knowthat what you’re playing with is the safety catch ofsomething that goes bang.”“All right,” challenged Gleed, taking him up onthat. “Tell us how it works.”“I won’t.” Baines’ grin reappeared. He seemed tobe highly satisfied about something.“That’s a fat lot of help.” Gleed felt let down, especiallyover that momentary hoped-for reward.“You brag and boast about a one-way weapon, tossacross a slip of stuff with three letters on it and thengo dumb. Any folly will do for braggarts and anybraggart can talk through the seat of his pants. Howabout backing up your talk?”“I won’t,” repeated Baines, his grin broader thanever. He gave the onlooking Harrison a fat, significantwink.It made something spark vividly within Harrison’smind. His jaw dropped, he dragged the plaque fromhis pocket and stared at it as if seeing it for the firsttime.“Give it back to me,” requested Baines, watchinghim.Replacing it in his pocket, Harrison said veryfirmly, “I won’t.”Baines chuckled. “Some people catch on quicker than others.”
Eric Frank Russell, . . . And Then There Were None“Instead of being a teacher, I got a job with a company called Bain & Co., consulting firm, and they taught me how to build businesses.”
Stephen Pagliuca“I was going to get a degree in economics and be a teacher. But I couldn't afford to pay for the education. So I just got the MBA and not the doctorate. I loved it at Bain, and I've been there ever since.”
Stephen Pagliuca“Watching From Withing protagonist Dr. Jesse Baine says, "The only place I can fathom that is truly private is the space between your ears. Think about the sheer number of surveillance systems, automated ID tracking and police brain-print scanners. What is privacy anyhow? And, why would anyone protest the advancement of such tried and true [surveillance] technology? That’s a bit like rising-up against the aspirin!” -Daniel LaMonte”
Daniel LaMonte, Watching From Within“How can trade be bad if you don’t make moneyeven when it’s good?” inquired Gleed, reasonablyapplying the information Harrison had given him.Jeff’s big moon eyes went over him slowly thenturned to Harrison. “So he’s another bum off yourboat, eh? What’s he talking about?”“Money,” explained Harrison. “It’s stuff we use tosimplify trade. It’s printed stuff, like documentaryobs of various sizes.”“That tells me a lot,” Jeff Baines observed. “Ittells a crowd that has to make a printed record ofevery ob is not to be trusted — because they don’teven trust each other.”
Eric Frank Russell, The Great Explosion“But really, aren't there bits of magic everywhere we look?' Dr. Clifton continues. 'We've just stopped seeing it that way.”
Emily Bain Murphy, The Disappearances“In short, we much struggle with the meaning of learning within our discipline and how best to cultivate and recognize it. For that task, we don't need routine experts who know all the right procedures but adaptive ones who can apply fundamental principles to all the situations and students they are likely to encounter, recognizing when invention is both possible and necessary and that there is no single 'best way' to teach.”
Ken Bain, What the Best College Teachers Do“The best teaching is often both an intellectual creation and a performing art.”
Ken Bain, What the Best College Teachers Do“What you have now then is the marketing of racialized identities as tools for consumption. And certain racialized bodies and images are associated with hipness, coolness, edginess. So all kinds of youth all over the world are appropriating that style as a way of, sort of, countering authority, stating their rebelliousness, and wanting to be seen as significant.”
Amalia Mesa-Bains, Homegrown: Engaged Cultural Criticism