Charles Frazier Quotes

“Ruby said there were many songs that you could not say anybody in particular had made by himself. A song went around from fiddler to fiddler and each one added something and took something away so that in time the song became a different thing from what it had been, barely recognizable in either tune or lyric. But you could not say the song had been improved, for as was true of all human effort, there was never advancement. Everything added meant something lost, and about as often as not the thing lost was preferable to the thing gained, so that over time we'd be lucky if we just broke even. Any thought otherwise was empty pride.”

“Ruby said there were many songs that you could not say anybody in particular had made by himself. A song went around from fiddler to fiddler and each one added something and took something away so that in time the song became a different thing from what it had been, barely recognizable in either tune or lyric. But you could not say the song had been improved, for as was true of all human effort, there was never advancement. Everything added meant something lost, and about as often as not the thing lost was preferable to the thing gained, so that over time we'd be lucky if we just broke even. Any thought otherwise was empty pride.”

“If money is a curse, may God smite me with it, and may I never recover!”

“The opportunities of man are limited only by his imagination. But so few have imagination that there are ten thousand fiddlers to one composer.”

“This is a book for every fiddler who has realized halfway through playing an ancient Scottish air that the Ramones "I Wanna Be Sedated" is what folk music is really all about, and gone straight into it.”

“In the third place he comes on to the chiefe Organ, that is, the instrument wherewith they should sing. It is not with the Organs of the Papists, no not with thy tongue; but it is with the heart, and with the affection of a well-ruled heart. Therefore as a fiddler, or any that playes on an Instrument tempers his Instrument, that a sweete harmonie may be heard of it: Even so before thou sing, temper thou thy heart; and let thy song rise, not from thy throte, but from the depth of thine heart, that is from thine affections set upon God.”

“Are you considering becoming a creative person? Too late, you already are one. To even call somebody "a creative person" is almost laughably redundant; creativity is the hallmark of our species. We have the sense for it; we have the curiosity for it; we have the opposable thumbs for it; we have the rhythm for it; we have the language and the excitement and the innate connection to divinity for it.If you're alive, you're a creative person. You and I and everyone you know are descended from tens of thousands of years of makers. Decorators, tinkerers, storytellers, dancers, explorers, fiddlers, drummers, builders, growers, problem-solvers, and embellishers--these are our common ancestors.”

“She will at least be decently clothed as she waits. Tomorrow I shall find her a brush and powder and whatever else a woman of her dignity requires.” Fin rolled her eyes. “Is ‘dignity’ what you call it?” Jeannot offered her his hand. Fin took it and pulled herself up from the deck. She was barefoot and her pants and shirt were stained with everything from blood to oakum to lampblack. She stretched her shirt out between her hands and considered its mottle of stains. “I’m not dignified?” she asked. When Fin looked up, Jeannot had an eyebrow cocked high and one side of his mouth was curled in amusement. “Where you are concerned, much requires redefinition.”

“After Jacob had worked for Laban for seven years, do you know what happened? Laban fooled him and gave him his ugly daughter Leah. So to marry Rachel, Jacob was forced to work another seven years.So, you see, children, the Bible clearly teaches us you can never trust an employer.”

“What do you know of the Knights?” he asked. Fin shrugged. “I thought knights were only in children’s stories until a few days ago.” Jeannot smiled. “A man could do worse than to live in the stories of a child. There is, perhaps, no better remembrance.” “Until the child grows up and finds out the stories aren’t true. You might be knights, but I don’t see any shining armor,” Fin said. Jeannot stopped near the gate of the auberge and faced her. “Each time a story is told, the details and accuracies and facts are winnowed away until all that remains is the heart of the tale. If there is truth at the heart of it, a tale may live forever. As a knight, there is no dragon to slay, no maiden to rescue, and no miraculous grail to uncover. A knight seeks the truth beneath these things, seeks the heart. We call this the corso. The path set before us. The race we must run.”

“(Topper) I’ll story ’em, Fin. I’ll story ’em clean.”