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“The minute we moved in (1712 North Crescent Heights), Dennis Hopper decided to give a party for Andy (Warhol), who was coming out to Los Angeles, and he decided that the one thing that would really make the house stand out, fabulously, would be billboards. So he papered the downstairs bathrooms with billboards. He had also decided that the food at the party would be hot dogs and chili. So we had a hot-dog stand! And Dennis had found huge papier-mâché Mexican figures with firecrackers hanging on them.”
Brooke Hayward“The minute we moved in (1712 North Crescent Heights), Dennis Hopper decided to give a party for Andy (Warhol), who was coming out to Los Angeles, and he decided that the one thing that would really make the house stand out, fabulously, would be billboards. So he papered the downstairs bathrooms with billboards. He had also decided that the food at the party would be hot dogs and chili. So we had a hot-dog stand! And Dennis had found huge papier-mâché Mexican figures with firecrackers hanging on them.”
Brooke Hayward, Dennis Hopper: The Lost Album: Vintage Prints from the Sixties“Hopper’s paintings are full of women like her; women who appear to be in the grips of a loneliness that has to do with gender and unattainable standards of appearance, and that gets increasingly toxic and strangulating with age.”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone“That autumn, I kept coming back to Hopper’s images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as “our most poignant, ceaselessly replicated romantic image of American loneliness”...Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs.”
Olivia Laing“Like all tools, modern technology has produced some wonderful moments in music and also some horrors.”
Hugh Hopper“What I wanted to do was to paint sunlight on the side of a house.”
Edward Hopper“It is often easier to ask for forgiveness than to ask for permission.”
Grace Hopper“I trust Winsor and Newton and I paint directly upon it.”
Edward Hopper“If it's a good idea, go ahead and do it. It's much easier to apologize than it is to get permission.”
Grace Hopper“My aim in painting has always been the most exact transcription possible of my most intimate impression of nature.”
Edward Hopper“If you could say it in words there would be no reason to paint.”
Edward Hopper