Jacob Astley Quotes

“Lord you know how busy I must be this day. If I forget you do not you forget me.”

“I feel sorry for Rick Astley, one day he is going to die and nobody will know about it for weeks because nobody will want to click the link.”

“Astley comes to my side. "Are you well?" "No," I tell him, voice hoarse. "I am not well. I am broken inside. I am broken almost all-the-way deep, and I don't know...I don't know if I can ever be unbroken, let alone well again”.”

“I want you to want me because you want me, not because of grief, not because he is not here. I want you to love me for me. I want you to kiss me first and not because you need me to help you, but because you need to kiss me.”

“I meet his eyes. They are deep and almost mesmerizing. Did I say deep before? Yeah, right. That’s not it. They have a pull to them, like currents, like Velcro or something, totally captivating, like when you see a convertible flipped over on the highway and there are body bags and you don’t want to look but you look because you can’t look, because you can’t not look, because you are just riveted and . . .Stop. Just stop.”

“So I got on with the business of lawyering away at the evidence. Minimizing it. Defending Jacob.”

“Orito banishes all thoughts of Jacob de Zoet, and recalls Jacob de Zoet.”

“The central fact of biblical history, the birth of the Messiah, more than any other, presupposes the design of Providence in the selecting and uniting of successive producers, and the real, paramount interest of the biblical narratives is concentrated on the various and wondrous fates, by which are arranged the births and combinations of the 'fathers of God.' But in all this complicated system of means, having determined in the order of historical phenomena the birth of the Messiah, there was no room for love in the proper meaning of the word. Love is, of course, encountered in the Bible, but only as an independent fact and not as an instrument in the process of the genealogy of Christ. The sacred book does not say that Abram took Sarai to wife by force of an ardent love, and in any case Providence must have waited until this love had grown completely cool for the centenarian progenitors to produce a child of faith, not of love. Isaac married Rebekah not for love but in accordance with an earlier formed resolution and the design of his father. Jacob loved Rachel, but this love turned out to be unnecessary for the origin of the Messiah. He was indeed to be born of a son of Jacob - Judah - but the latter was the offspring, not of Rachel but of the unloved wife, Leah. For the production in the given generation of the ancestor of the Messiah, what was necessary was the union of Jacob precisely with Leah; but to attain this union Providence did not awaken in Jacob any powerful passion of love for the future mother of the 'father of God' - Judah. Not infringing the liberty of Jacob's heartfelt feeling, the higher power permitted him to love Rachel, but for his necessary union with Leah it made use of means of quite a different kind: the mercenary cunning of a third person - devoted to his own domestic and economic interests - Laban. Judah himself, for the production of the remote ancestors of the Messiah, besides his legitimate posterity, had in his old age to marry his daughter-in-law Tamar. Seeing that such a union was not at all in the natural order of things, and indeed could not take place under ordinary conditions, that end was attained by means of an extremely strange occurrence very seductive to superficial readers of the Bible. Nor in such an occurrence could there be any talk of love. It was not love which combined the priestly harlot Rahab with the Hebrew stranger; she yielded herself to him at first in the course of her profession, and afterwards the casual bond was strengthened by her faith in the power of the new God and in the desire for his patronage for herself and her family. It was not love which united David's great-grandfather, the aged Boaz, with the youthful Moabitess Ruth, and Solomon was begotten not from genuine, profound love, but only from the casual, sinful caprice of a sovereign who was growing old.”

“Marc Jacobs is full of creative people and Louis Vuitton is again a name on the door, a name that has existed for many years but I'm a collaborator there and I bring in other people, other artists and I work with a great creative design team.”

“His skin was a pretty colour, it made me jealous. Jacob noticed my scrutiny.What?" he asked, suddenly self-conscious."Nothing. I just hadn't realised before. Did you know, you're sort of beautiful?"Once the words slipped out, I worried that he might take my implusive observation the wrong way.But Jacob rolled his eyes. "You hit your head pretty hard, didn't you?" "I'm serious."Well, then, thanks. Sort of."I grinned. "You're sort of welcome.”