Jeremy McCarter Quotes

“Serving [Hamilton's] legacy didn't just mean commemorating him, though: It also meant continuing his work. [Eliza] crusaded against slavery, as Hamilton had. And this widow of an orphan helped to found the first private orphanage in New York. That's the real power of a legacy: We tell stories of people who are gone because like any powerful stories, they have the potential to inspire, and to change the world.”

“On opening night, standing under the Rogers's marquee, [Lin] realized that if Eliza's struggle was the element of Hamilton's story that had inspired him the most, then the show itself was a part of her legacy.”

“Jefferson feared that Hamilton had plans radically at odds with the Constitution. As he saw it, Hamilton wanted to warp the federal government out of constitutional shape, converting it into a copy of the British government, built on debt, corruption, and influence. Hamilton's goal, Jefferson charged, was to ally the rich and well born with the government at the people's expense, creating a corrupt aristocracy leagued with the government against the people and destroying the virtue that was the basis of republican government. Only a republic could preserve liberty, Jefferson insisted, and only virtue among the people could preserve a republic.”

“There is a certain enthusiasm in liberty, that makes human nature rise above itself, in acts of bravery and heroism”

“who me?"anita blake seriesby: Laurell K Hamilton”

“Again and again in his career, Hamilton committed the same political error: he never knew when to stop, and the resulting excesses led him into irremediable indiscretions.”

“Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible. 'Hamilton' is riddled with question marks. The first act begins with a question, and so does the second. The entire relationship between Hamilton and Burr is based on a mutual and explicit lack of comprehension: 'I will never understand you,' says Hamilton, and Burr wonders, 'What it is like in his shoes?' Again and again, Lin distinguishes characters by what they wish they knew. 'What'd I miss?' asks Jefferson in the song that introduces him. 'Would that be enough?' asks Eliza in the song that defines her. 'Why do you write like you're running out of time?' asks everybody in a song that marvels at Hamilton's drive, and all but declares that there's no way to explain it. 'Hamilton', like 'Hamlet', gives an audience the chance to watch a bunch of conspicuously intelligent and well-spoken characters fill the stage with 'words, words, words,' only to discover, again and again, the limits to what they can comprehend.”

“I know my sister like I know my own mind, you will never find anyone as trusting or as kind.”

“[Philip's death was] beyond comparison the most afflicting of my life.... He was truly a fine youth. But why should I repine? It was the will of heaven and he is now out of the reach of the seductions and calamities of a world full of folly, full of vice, full of danger, of least value in proportion as it is best known. I firmly trust also that he has safely reached the haven of eternal repose and felicity. (Alexander Hamilton letter to Benjamin Rush about the death of his 19-year old son from mortal wounds inflicted from a duel.)”

“The author characterizes Hamilton's tone in the Federalist papers by saying that he never spoke of problems but of being at the last stage in the crisis.”