Brandi L. Bates Quotes

“I will Basquiat the canvas of your body like a Broadway Junction wall…and Gordon Parks you for those dark midnights when your scent fades.”

“I don't listen to what art critics say. I don't know anybody who needs a critic to find out what art is.”

“I don't think about art when I'm working. I try to think about life.”

“Since I was seventeen I thought I might be a star. I'd think about all my heroes, Charlie Parker, Jimi Hendrix... I had a romantic feeling about how these people became famous.”

“I've got a nice collection of paintings - a Basquiat, a black-and-white Warhol that's like a Rorschach test, and I commissioned Takashi Murakami to do a ten-foot joint for me. It's almost like the explosion in Hiroshima with his famous skeleton head. There's a wall above my fireplace reserved for it.”

“Lara Jean, why do you have to remember every little thing? It's not healthy.”

“When Jean and his mother left Etreuilles, Monsieur Sureau had gathered for them great boxfuls of hawthorn and of snowballs which Madame Santeuil had not the courage to refuse. But, as soon as Jean's uncle had gone home, she threw them away, saying that they already had more than enough in the way of luggage. And then Jean cried because he had been separated from the darling creatures which he would have liked to take with him to Paris, and because of his mother's naughtiness.”

“Writing has become more than just a profession, and hobby…it has become a way to express my feelings and pour my entire soul into the pages of my books. Thank God for the little things in life that makes us feel infinite and tranquil…the little things that make way for us to escape reality and enter new worlds that we create. -Nina Jean Slack”

“Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice.”

“The heart that bleeds, knows true heartache.-Nina Jean Slack”