Kim Basinger Quotes

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I work in a strange business, and 'trust' is a word that's not even in the vocabulary.

Kim Basinger
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Similar Quotes by Kim Basinger

I work in a strange business, and 'trust' is a word that's not even in the vocabulary.

Kim Basinger
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I just thank God that I didn't grow up with so much money or privilege because you had to create ways to make it happen.

Kim Basinger
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I feel there are two people inside me-me and my intuition. If I go against her she'll screw me every time and if I follow her we get along quite nicely.

Kim Basinger
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I feel there are two people inside of me-me and my intuition. If I go against her she'll screw me every time and if I follow her we get along quite nicely.

Kim Basinger
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Movies with interfering in-laws and kids are often presented as comic, the ridicule bringing welcome relief to beleaguered married folks suffering offscreen at the hands of relatives.

Jeanine Basinger
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The story of a marriage was an excellent way to fulfill the goal of discussing class without discussing class, and to tell an audience that they were upwardly mobile.

Jeanine Basinger
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Deanna Durbin's movies are about innocence and sweetness. They're from a different time and a different place. Outside the movie house, there was Depression, poverty, war, death, and loss. Audiences then were willing to pretend, to enter into a game of escape. No one really thought that the world was like a Deanna Durbin movie, they just wanted to pretend it was for about an hour and a half.

Jeanine Basinger, The Star Machine
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In-laws were often used as plot devices to drive a happy couple apart, to destroy marital love and trust.

Jeanine Basinger, I Do and I Don't: A History of Marriage in the Movies
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The true marriage movie involving in-laws and children is a story about how marriage is directly affected by external characters who impact the central relationship in various ways.

Jeanine Basinger, I Do and I Don't: A History of Marriage in the Movies
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The ghastly mother-in-law is well represented by a little comedy film of 1952: No Room for the Groom, directed by Douglas Sirk, the fine German director more famous for his melodramas that humanely criticize American morals and values.

Jeanine Basinger, I Do and I Don't: A History of Marriage in the Movies
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