Lauren Cagliola Green Quotes

“She personified her name in everything she did. Even when we would row, her words were deftly chosen and spoken rather like an intricate dance. And I so loved to dance with her.”

“She personified her name in everything she did. Even when we would row, her words were deftly chosen and spoken rather like an intricate dance. And I so loved to dance with her.”

“What in God's name did he want me to say? That I agreed with him completely at how our kiss had been successful? That it had meant as much as a kiss I'd drop on top of a child's head before bed to him? Well I wouldn't lie for the sake of lying. I'd rather stay silent and realize that the kind, gentle, passionate person I'd fallen for didn't exist and in his place was a cold, unfeeling fool who wouldn't know romance even if it had slapped him in the face.”

“Well we can't be having that. One person starts having fun and it turns into an epidemic. Difficult to stop that kind of thing, you know.”

“You're the sort of girl that should only have happiness, you know? Who should wake up smiling, feeling special because someone does everything they can to make that so.”

“Mister Win-Win says it's always okay to pretend. He says that's the only way to feel happy sometimes.”

“Mister Win-Win says it's always okay to pretend... He says that's the only way to feel happy sometimes.”

“Green strongly influences the heart and helps alleviate tension. Positive qualities associated with green are generosity, humility, and cooperation. Foods of the green vibration are all green fruits and green vegetables.”

“It's lovely to be going home and know it's home. I love green gables already, and I've never loved any place before. Oh, Marilla, I'm so happy.”

“We'd never seen anything as green as these rice paddies. It was not just the paddies themselves: the surrounding vegetation - foliage so dense the trees lost track of whose leaves were whose - was a rainbow coalition of one colour: green. There was an infinity of greens, rendered all the greener by splashes of red hibiscus and the herons floating past, so white and big it seemed as if sheets hung out to dry had suddenly taken wing. All other colours - even purple and black - were shades of green. Light and shade were degrees of green. Greenness, here, was less a colour than a colonising impulse. Everything was either already green - like a snake, bright as a blade of grass, sidling across the footpath - or in the process of becoming so. Statues of the Buddha were mossy, furred with green.”

“Why do writers use symbolism?” Okay, so let’s say you have a headache and you wanna tell someone about it and you say, “I have a headache!” and other people are like, “Yeah, whatever. Everybody gets headaches.” But your headache is not a regular headache, it’s a serious headache, so you say, “My brain is on fire!” to try to help these people understand that this is a headache that needs attention! That’s a metaphor, right? And you use it so that you can be understood. Now let’s say you want to take those same imagistic principles but apply them to a much more complex idea than having a headache, like, for instance, the yearning that one feels for one’s dreams. And you can see the dream but you can’t cross the bay to get to the green light that embodies your dream. And you want to talk about how socio-economic class in America is a barrier – a bay-like barrier, some would say – that stands between you and the green light and makes that gap unbridgeable. Now, you can just talk about that stuff directly, but when you talk about it symbolically, it becomes more powerful, because instead of being abstract it becomes kind of observable…. So I think that’s why.”